JAYCE SALLOUM
As if an itinerant geographer of conflicted territories (most everywhere), Salloum observes the world and creates/collects images/texts to re-make meaning with or comment on, a subjective archive of images that he either gleans or produces. Since arriving here - by no means of his own volition - he tends to go only where he is invited or where there is an intrinsic affinity, his projects being rooted in an intimate engagement with place. A grandson of Syrian or Lebanese immigrants he was born and raised on others’ land, the Sylix (Okanagan) territory in Kelowna, BC. After 21 years living and working elsewheres (San Francisco, Banff, Toronto, San Diego, Beirut, and New York he planted himself on the unceded stolen lands of Xʷməθkʷey̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) + Səíl̓wətaʔł (Tsleil-Waututh) - aka Vancouver - where has been for 23 years. Recognizing and acting on this is an everyday practice, but let’s face it, he could do a lot more. They say, his videotapes, photographs, installations, and other cultural projects engage the personal/subjective, reconfiguring notions of identity, community, history, boundaries, exile, (trans/inter/intra)nationalism and resistance. He’s found himself working in many places/spaces including, Afghanistan, Lebanon, Palestine, the former Yugoslavia, Europa, San Francisco, San Diego, New York, Central America, Mexico, Columbia, Ecuador, Kamloops, Kelowna, Cumberland House, Vancouver, Aotearoa, Shanghai, Hong Kong, Philippines and Australia. In/out of this context not that it really matters, Salloum has lectured, published pervasively and exhibited peripatetically at the widest range of local and international venues possible and most improbable, from the smallest unnamed storefronts (and I mean small) in his downtown eastside Vancouver neighbourhood to institutions such as the Musée du Louvre, Museum of Modern Art, Guggenheim Museum, Centre Georges Pompidou, National Gallery of Canada, Bienal De La Havana, Sharjah Biennial, Biennale of Sydney and the Rotterdam International Film Festival. He is represented by MKG127, Toronto and Mónica Reyes Gallery, Vancouver. Instagram.com/jaycesalloum https://vimeo.com/salloum
- ° 1958 Kelowna, British Columbia (Canada). Lives in Vancouver.
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EVENTS
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At view in the media library
WORKS- appendix ii: clouds
- appendix iii: other
- appendix i: lands
- appendix iv: territory
- Episode 1: So. Cal.
- In The Absence of Heroes (Part IV): Warfare / A Case for Context
- Introduction to the End of an Argument / Speaking for Oneself, Speaking for Others
- Once you've shot the gun, you can't stop the bullet
- Talaeen a Junuub / Up to the South
- The Ascent of Man. Part II: Conditions of Mercy
- The Ascent of Man. Part III: Acts of Consumption
- The Ascent of Man. Part I: Silent Running
- The Ascent of Man. Part I: Silent Running-Appendix
- The Ascent of Man. Parts I, II & III
- This Is Not Beirut (There was and there was not)
- untitled
- untitled part 1: everything and nothing
- untitled part 2: beauty and the east
- untitled part 3a: occupied territories
- untitled part 3b: (as if) beauty never ends ...
- untitled part 4: terra incognita
- untitled part 5: all is not lost but some things may have been misplaced along the way (or) of endings and beginnings and some points in-between
- untitled part 6: upon the resonance of histories
- untitled part 7: the heart that has no pain/ love/ generosity is not a heart
- untitled part 8: esquina caliente
- untitled part 9: this time