OVERZICHT TITELS

Zoek collectie




CASSEURS D'IMAGES 1993-2004 (PART 2)

Michel François
- Arpenteur: A caterpillar is crawling over a geographical map, exploring the borders of the surface. - ’Tourner’ (2): A man is carrying a beam on which the camera seems to be attached. The floor and his shoes are squeaking. The camera rotates around and around the man. - ’Pigeons’: A bunch of pigeons are being filmed in close-up while they are trying to eat...

BUILDING STORIES #001 (THAT DISTANT PIECE OF MINE)

Els Opsomer
Building Stories # 001 [That Distant Piece Of Mine] is a 16mm film recorded in Senegal; reportedly the most accessible West African country, a tourist destination with a renowned hospitality. Far from the "clichés" shows this film a poetic stroll through a topical Senegal...

THE BREECHES (2)

Messieurs Delmotte
Second part of a performace diptych. A person – Messieurs Delmotte himself ? – stands with his back in front of the camera. He is wearing white, almost transparent underwear; the only part filmed is his mid section. From between his legs a pot of choco pasta is slowly emptied....
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THE HUNDRED VIDEOS 62. BLACK HEART

Steve Reinke
These computer images are a model of how different tattoos might look on me....
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EUROPALIA: STEDELIJK MUSEUM AMSTERDAM 60-70

Jef Cornelis
Dutch and International Art, 1960 to 1970: the exhibitions of works from the Stedelijk Museum in Amsterdam were prepared by the museum for Europalia and presented at the Palais des Beaux-Arts in Brussels. Geert Bekaert talks to the director of the Stedelijk Museum, M. de Wilde, and this conversation is alternated with pictures of the works from the collection. Original broadcast date: 24/09/1971...
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MÉDÉE

Michel Lorand
The Medea installation is made up of a large, square table with four video monitors. A single actor or actress is seen on three of the four monitors, from the waist up and frontal. The fourth monitor shows only text. The starting point is a short prose piece written by Lorand about a young woman intending to kill her two children after the end of her relationship with their father...

STAND HERE AT THE EDGE

Andrea Geyer
When viewing a movie, what we know can foreclose the possibility of vision. ’Stand here at the Edge’, tries to construct an epistemological break, by simply suggesting to close ones eyes and challenge the entitlement and “knowledge” that so often comes with the familiarity of our gaze...

VICTORIA

Lukas Marxt
The hypnotic wasteland of Southern California (USA) is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo Antonioni, and the deep transcendence of Werner Herzog. It speaks to us through fragments of dialogues from iconic films, and yet it remains elusive and dissolves into abstract shapes, rhythms, and compositions...
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THE HUNDRED VIDEOS 89. 24 JOKES

Steve Reinke
How do you stop a black guy from drowning ? Take your foot off his head....
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IJSBREKER 22: CULTUURMANAGEMENT

Jef Cornelis - Jackie Claeys - Mark De Geest - Freddy Coppens
Discussion on how culture is managed and the relationship between this question and sponsorship...