OVERZICHT KUNSTENAARS

Sanders, Angela

°1974 - Zürich (Switzerland).
Visual anthropologist and videomaker. The main focus of Sanders research is transnational migration and mobility, processes of globalization and their impacts on the living and working conditions of human beings. Her academic field research is often accompanied by reflexive ethnographic video essays. ...

Reutenauer, Noé

°1991 - Paris (France).
Noé Reutenauer was born on 3 May 1991 in Paris. After a happy and carefree childhood, he embarked on a traditional school curriculum but he dropped out and found fulfilment in the theatre and later in film. The past years he has lived in Brussels as an exile and where he intends to  finish his studies at the Institut des Arts de Diffusion ...

Crabeels, Cel

°1958 - Antwerp (Belgium).
In his videos, installations, photographs and performances, Cel Crabeels toys with the notion of emptiness as being something meaningful, open to a multitude of interpretations. His spatial works often stimulate the audience to interact and experience the environment on a physical level; circumstantial elements play an important role ...

Benoot, Sofie

°1985 - Bruges (Belgium). Lives and works in Brussels.
Documentary filmmaker Sofie Benoot is currently working on Blue Meridian, the second part of a trilogy on "american water" that started with fronterismo (2007) her graduation film project. In her films, she revisits the history and the stories of abandoned and forgotten places which are important to the united states' foundations and mythology. ...

Coorevits, Jana


Jana Coorevits’ artistic practice is situated at the intersection of experimental film, photography, and visual art. She delves into issues surrounding femininity, vulnerability, and trauma. In recent years, her focus has been on finding ways to speak about personal and collective experiences of sexual violence through artistic work ...

Persijn, Jurgen

°1966 - Waregem (Belgium)
During a short period of three years, immediately after graduating from Sint-Lukas University College of Art and Design, Jurgen Persijn (°1966, Waregem) directed three commissioned videotapes in collaboration with Ana Torfs, amongst which, Akarova &. Baugniet/L’entre-deux-guerres (1991) and Mozartmaterial (1993) ...

Provost, Nicolas

°1969 - Ronse (Belgium). Lives and works in Antwerp.
Nicolas Provost’s oeuvre, shown with notable success at international film festivals in recent years, has been described as a working-off of the filmic codes of narrative cinema ...

Desamory, Lucile

°1977 - Brussels (Belgium). Lives and works in Berlin.
"Lucile Desamory is a genuine Bruxelloise, but since mid 2004 she has sought refuge in Berlin. Video maker, DJ, VJ, musician, jack-of-all-trades... As a self-educated woman she has built up a broad audiovisual oeuvre, ranging between slapstick and trash, electro and chanson, the absurd and the fantastic ...

Jean-Baptiste, Maxime

°1993 - France. Currently based in Brussels and Paris.
Maxime Jean-Baptiste is a filmmaker based between Brussels and Paris. He was born and raised in the context of the Guyanese and Antillean diaspora in France, to a French mother and a Guyanese father. His interest as an artist is to dig inside the complexity of Western colonial history by detecting the survival of traumas from the past in the present ...

Bonnemaison, Michel

°1923 - Paris (France).
Michel Bonnemaison referred to himself as a ‘professional European’. His work touched on such diverse subjects as cinema, media rhetoric, overland and sea trade and transport, travel overseas and, at a later stage, he was increasingly interested in theology. ...

Terziev, Krassimir

°1969 - Dobritch (Bulgaria). Lives and works in Sofia.
Krassimir Terziev (1969, Dobritch, Bulgaria) received a Ph.D. in Cultural Anthropology at Sofia University (2012), and is lecturer in the Digital Arts MA Program at the National Academy of Arts in Sofia, where he received an MA in Painting (1997). Terziev is one of the leading Bulgarian contemporary artists ...
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D'Haeseleer, Kurt

°1974 - Lives and works in Brussels (Belgium).
The recent work of video artist Kurt D’Haeseleer examines the impact of public space on our everyday reality. In a strategy of ’hidden complexity’, his images reveal his concern with social and architectural themes. Kurt D’Haeseleer studied modern history in Leuven and Vienna, and cinema, video and television in Brussels ...

Saleh Mohamedali, Nizar

°1987 - DR Congo
Nizar Saleh Mohamedali is a graphic designer, filmmaker and photographer. In 2013 he followed a film training in Kinshasa, organised by INSAS. Currently he is finishing his studies in visual communication at the Académie des Beaux-Arts. Nizar has worked on several documentaries and, together with fellow filmmaker Paul Shemisi, founded the production house 'Kimpavita films' ...

Lorand, Michel

°1961 - Brussels (Belgium). Lives and works in Brussels.
Michel Lorand (1961, Brussels, Belgium) lives and works in Brussels, Belgium. Through the construction of movements, dislocations and shifts in perspective he examines the creation of particular interpretational areas among the various interpretational elements that embody his projects: architectural signs, tension between text and images, time passing by, the perception of sound and voice. ...

Marécaille, Hubert

°1973 - Nantes (France).
Video artist, actor and musician ...

Lennep, Jacques

°1941 - Brussels (Belgium).
Jacques Lennep (1941, Brussels, Belgium) lives and works in Brussels, Belgium. He studied Art History at the Université Libre de Bruxelles. Lennep is a multidisciplinary artist and art historian. The imaginary, according to him, works according to a symbolical pattern of “correspondences” – to make use of a term derived from the Symbolists and Surrealists ...

Suermondt, Robert

°1961 - Geneva (Switzerland). Lives and works in Brussels and The Hague.
Robert Suermondt studied at the Ecole Supérieure d’Arts Visuels in Genève and at the Rijksakademie voor Beeldende Kunsten in Amsterdam. In his films, Suermondt demonstrates an explicit attitude towards the exploration of the dramatic potential of anonymous places as well of his own way of looking. The boundaries between the act of looking and the act of filming are never clearly drawn ...