OVERZICHT TITELS
Zoek collectie
BEELDENDE KUNST IN BELGIË, 1986
Jef Cornelis - Freddy CoppensOriginally broadcast on March 16th 1986, the programme Beeldende kunst in België, 1986 (Visual Art in Belgium, 1986) is a recording of a panel discussion that took place in the Royal Museum of Fine Arts in Antwerp...
LE SPECTATEUR
Michel LorandThe Medea installation is made up of a large, square table with four video monitors. A single actor or actress is seen on three of the four monitors, from the waist up and frontal. The fourth monitor shows only text. The starting point is a short prose piece written by Lorand about a young woman intending to kill her two children after the end of her relationship with their father...
BATTLES OF TROY
Krassimir Terziev“Battles of Troy” is a study on the internal economy of contemporary globalized cinema production, seen through the eyes of the lowest unit in the production hierarchy - the extras. The focus of the study is the making of the Warner Bross Motion Picture “Troy” (2004). Starting in 2003 with a budget of 185 000 000 USD, Troy is one of the most expensive productions ever made...
CIRCUS
Stefka BenishevaCIRCUS is a film aware of itself being a film. It follows peripheral thoughts and reflects on all these days around....
N12°13.062'/ W 001°32.619' EXTENDED
Vincent MeessenThe title of this video refers, through GPS coordinates, to a location in Africa, which is both specific and abstract. Two men wander through a deserted site in the middle of the desert. At first sight it’s an archaeological ruin. As the images reveal more of the environment, it becomes clear that the construction was built by the two of them, hewn from the surrounding stone...
PROOF OF LIFE
Herman AsselberghsThe interior of an open, empty space: the frontier between ’inside’ and ’out side’ is slight. The only sign of human presence is to be found as a voice-over: a male voice recalling horrifying TV-images, a popular disaster film, a long-term imprisonment. The title alludes to the diplomatic negotiating jargon used during the video recording of a live hostage...
LA CLÉ DU PAYSAGE
Jacques Louis NystIn both 'La clé du paysage’ and 'Un dimanche après-midi à 6h du soir’ the spectator is in the position of the voyeur, spying Danièle Nyst through a window. In 'La clé du paysage’, Danièle Nyst is sitting on the garden, glancing through a magazine. Her image is cut up by the window frame...
CAMERA
Uri Tzaig - Avi ShahamA monumental sculpture of a semi-professional portable camera made of lead, part of the video-installation 'Look at Me' from Uri Tzaig and Avi Shaham....
SONSBEEK BUITEN DE PERKEN
Jef CornelisThe 1971 Sonsbeek exhibition was subtitled 'Sonsbeek buiten de perken' (literally: "Sonsbeek Beyond Its Bounds", or freely as: "Sonsbeek Let Loose"). It was not limited to the confines of the park, but instead stretched out over all the Dutch nation. This was the period of land art, conceptual art, process art, minimal art, performance, and video; the traditional socle sculpture had disappeared...
RIJKSWEG N1
Jef CornelisRijksweg 1 (State Highway 1) links up Antwerp to Brussels over Mechelen (Malines). Before the motorway came, there was some really heavy traffic. Now the highway is abandoned. Jef Cornelis picks out a straight piece, between Kontich and Walem. “A highway which lost its way. A road of today. A road acting as a location. It makes out the landscape, its own landscape all by itself...









