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Pieter GeenenOn the walls of the local Belgian Club in Delhi, Ontario (Canada) hangs a banal painting portraying Saint Catherine's Square, a square in the heart of the Belgian capital Brussels. Depicting this specific place the painting evokes the memory connected to it for the many Belgian immigrants in this particular Canadian region, which helps defining and enhancing the community's identity...
LA JOUISSANCE DES HYSTÉRIQUES
Jan BucquoyWhat do psychoanalysis and movies have in common? What is the girl doing at the tomb of Apollinaire? Why do directors always quarrel with their actresses? What do situationism and marxism have in common? Why go to Bali for holidays? What can we learn from actresses who want to have a role in the movie? Bucquoy: "When my wife left me for my mistress, I had the choice: either have a pile attac...
WARUM WIR MÄNNER DIE TECHNIK SO LIEBEN
Stefaan DecostereWhat does one do in a world where it is almost impossible to distinguish between the real and the unreal? The work of the American painter Jack Goldstein, French urban architect Paul Virilio and German video artist Klaus vom Bruch show how war, speed and technology organise and reorganise reality, until only filtered reality remains....
'SUB-'
Hans Op de BeeckThis video installation, a 3 by 2.5m film projection, provides us with a view to an escalator in an endless downward movement. The cold, self-reflecting strips light slides towards us over the stairs, and betrays a downward movement. In this symmetrical image only the metal of the escalator stairs can be seen: no actors, no props...
THE HUNDRED VIDEOS 62. BLACK HEART
Steve ReinkeThese computer images are a model of how different tattoos might look on me....
THE HUNDRED VIDEOS 66. ATTEMPT TO SING
Steve ReinkeAttempt to sing beautifully and obscure hits from the past but forget the words and be reduced to humming....
HOMMAGE À … II
Lili DujourieThe five videos of Hommage à … deal with the same theme as repetition-in-difference, as a continual tracing and retracing, of the figure fold and unfold in the visual field. In Hommage à .....
DOUBLE DAWN
Lukas MarxtLukas Marxt's film is directed into the darkness of the landscape. What we see is a 30-minute static shot, in which silence spreads: an illuminated factory area on the horizon, otherwise just blackness, stretched flat and wide like a canvas. The cycle of the sun dictates the dramaturgy of the film...
