OVERZICHT TITELS

THE ABSENCE OF TELEPRESENCE

Dan Oki
The Absence of Telepresence is a personal observation and reflection on the gradual fusion of telephone, address book, camera and computer into one gadget. Hybrid documentary, feature and research film about communication technologies, on which we had become so hardly dependant as individuals and as a society...

L'ECOLE DES PICKPOCKETS

Sven Augustijnen
The filmmaker focuses on a daily and well-known hassle in public spaces, namely the phenomenon of pickpockets. Two professional thieves give a master-class in the art of pickpocketism in front of the camera. A video between fiction and reality....

THE THOUSAND FACES OF GOD

Koen Theys
Different images of gods of all possible religions morph one into another as to unite in an always transforming new religion....

GUIDE DE POLITESSE À L'ATTENTION DE NOS FORCES DE L'ORDRE

Charley Case
In the streets of Tokyo, a young guy is handing out flyers to the passers by. We are not informed for what company or goal he is distributing these. However how polite, however how friendly – and hard! – he is trying, no one of the people passing by in this very busy avenue are accepting his pamphlets. Or is he succeeding in the end?...

S*CKMYP [LONG VERSION]

Kurt D'Haeseleer
S*CKMYP drops the spectator in a world continuously bombarded with digital fragmentation bombs. People wander through a kaleidoscopic labyrinth of trembling bodies and mutating buildings until they are swallowed by a yawning void. Lost pixels nestle like parasites under the skin and drag them through an everyday world that looks strange beyond recognition...

APHASIA 3RD CHAPTER

Jelena Jureša
The starting point of Jelena Jureša’s interest in the evolution of a narrative constituting the final episode of Aphasia is a single photograph, which is never shown in the work, but its presence is almost tangible, heavy, almost to the point of materialising before our eyes. We identify it in speech, we identify it in motion. It is heard, but not directly seen...

EPILOGUE

Michel Lorand
’Epilogue’ begins with the technical introduction, the classic ‘countdown’ seen at the start of movies. The title then appears, followed by a white film, devoid of image. It is a blank film, but not clean. A woman’s voice reads out a claustrophobic text about memory and remembering...

THE HUNDRED VIDEOS 46. SLEEP

Steve Reinke
Sometimes it’s hard to figure out what it is we really want....

PI²

Charley Case
A couple performs Rachmaninov’s Piano Sonata for 4 Hands. Their hands caress each other without touching; the bodies converge in music....

AS SOL TO EVA

Teresa Cos
The appropriation of the famous letter that Sol LeWitt wrote in 1965 to artist and friend Eva Hesse is at the center of this work. In what seems to be a Skype conversation with a distant friend -wearing a t-shirt printed with LeWitt’s hand drawing as it appears on the manuscript- the letter becomes a two way pep talk in the mouth of an online oracle...