OVERZICHT TITELS
Zoek collectie
THE REMEMBERED FILM
Isabelle TollenaereIn The Remembered Film young soldiers from previous wars are seen roaming the woods aimlessly. They wear the uniforms of the Soviet troops, the Wehrmacht or the American military forces during the Vietnam war. In interviews, they share war memories they can’t possibly have experienced themselves, but which have taken root in their memory...
S*CKMYP [LONG VERSION]
Kurt D'HaeseleerS*CKMYP drops the spectator in a world continuously bombarded with digital fragmentation bombs. People wander through a kaleidoscopic labyrinth of trembling bodies and mutating buildings until they are swallowed by a yawning void. Lost pixels nestle like parasites under the skin and drag them through an everyday world that looks strange beyond recognition...
BUCHAREST. THE CITY - ME
Alina Cristea“Matei Visniec has once named one of his poetry books The City with One Inhabitant. This is how I always felt about Bucharest - as my city, even more so, the city - me” (Mircea Cartarescu).By using narrations to re-signify situations and events filtered through her individual and particular viewpoints, Alina Cristea aims to tell a story about Bucharest as she sees it...
KUNST ALS KRITIEK. WANNEER IS KUNST WEL KRITIEK? 4. WANNEER DE KUNSTENAAR IN ALLE ERNST SPEELT [BRT VERSION]
Jef CornelisThis film is part of a series of short sketches thematic focusing on the question Wanneer is Kunst Wel Kritiek? (When is Art Criticism?). For this fourth episode, the answer – which also serves as title – is “when the artist is toying around in all seriousness”. How can it happen? 'Many a true word is spoken in jest' seems to tell us the Belgian artist Jef Geys (°1934)...
FUTUR ANTÉRIEUR (A.K.A. DISCIPLES OF THE HEINOUS PATH - PART 1: THE PAIN OF EVERYONE)
Herman AsselberghsClocking in just under twenty minutes, Herman Asselberghs’ Futur Antérieur is, for the most part, a decidedly ‘anti-retinal’ affair: it consists of fifteen minutes of utter, stifling blackness filled with quasi-intolerable noise and an occasional glimmer of distant, shimmering twilight...
Majjudo (Lost Man), Laurent Van Lancker, 2009 © the artist & producers
MAJJUDO (LOST MAN)
Laurent Van LanckerSomeone who leaves the dying fire without his torchlight is a lost man. According to the filmmakers, ’Majjudo’ is ’’sensorially drifting in a French-Senegalese experience of Shadow Cinema’’. While light is mainly provided by torchlights, creating a cinema-driven shadowplay, people are dancing and playing music during the night...
AS ] THEN
Peter DownsbroughIn AS ] THEN static, photographical images are alternated with, among others, shots from a driving car. The recordings were partly made in the immediate surroundings of the former Wielemans-Ceuppens brewery in Brussels; the locations consist of building yards, the railroad, a crossroad and a railway viaduct. These images are linked to recordings made on Boulder Highway in Las Vegas...
ONEINDIGE BEPERKING, ETCETERA, 40.700 X9…
Filip FrancisThe artist writes the equation space = time over and over again, on giant white canvases. He makes geometrical figures with them. He repeats this kind of gesture, by drawing the number nine infinite times....
