OVERZICHT TITELS

Zoek collectie




WALKER, LA CITÉ RADIEUSE

Thomas Bernardet - Florent Mulot
This film is the Beta version of the “Walker” series, the first attempt at documentation of an architecture by two cameramen using the same camera. Experimenting the building as they stroll through it, they improvise an in-situ film scenario...

FERMETURE DE L'USINE RENAULT À VILVOORDE

Jan Bucquoy
February 1997: Louis Schweitzer, CEO of French car company Renault, makes the irrevocable decision to close the big Renault factory in Vilvoorde (Belgium) within three months. The Renault workmen immediately begin a strike and carry out a programme of action in Belgium and in France...
Fragments, 1994, Shelly Silver © the artist Fragments, 1994, Shelly Silver © the artist

FRAGMENTS

Shelly Silver
"Fragments is an ongoing series of short videotapes ranging in length from 6 seconds to two minutes. These tapes can be seen as small drawings or sketches, bringing together pieces of ideas, overheard conversation and glimpsed images. They can also be seen, because of their structure and length, as advertising that doesn’t sell anything." (Source: https://www.shellysilver.com)...

KUNST ALS KRITIEK. WANNEER IS KUNST WEL KRITIEK? 4. WANNEER DE KUNSTENAAR IN ALLE ERNST SPEELT [BRT VERSION]

Jef Cornelis
This film is part of a series of short sketches thematic focusing on the question Wanneer is Kunst Wel Kritiek? (When is Art Criticism?). For this fourth episode, the answer – which also serves as title – is “when the artist is toying around in all seriousness”. How can it happen? 'Many a true word is spoken in jest' seems to tell us the Belgian artist Jef Geys (°1934)...

LA FORCE DES CHOSES

Bernard Mulliez
The film is a portrait of the father of the artist, who lived off a private income provided by a familial commercial empire—for which he simply had to thank his birth. Mulliez has tried to render visible the exterior forces that influenced this man. There’s of course the issue of money, but there’s also the matter of an interiorized user’s manual that comes with capital...

EXTENDED PRESENCES

Margaux Dauby
"Looking at the tree line, a question creeps into my mind and, simultaneously, I have a desire what if nothing existed?" (M. G. Llansol) Extended Presences follows several women in their seasonal work as fire watchers in Portugal. The film comes close to their breathing, to the passing of time and to solitude, from within....
Staging Silence, Hans Op de Beeck, 2009. Courtesy Galleria Continua, San Gimignano – Beijing – Le Moulin; Galerie Krinzinger, Vienna; Xavier Hufkens, Brussels; Marianne Boesky Gallery, New York; Galerie Ron Mandos, Rotterdam – Amsterdam Staging Silence, Hans Op de Beeck, 2009. Courtesy Galleria Continua, San Gimignano – Beijing – Le Moulin; Galerie Krinzinger, Vienna; Xavier Hufkens, Brussels; Marianne Boesky Gallery, New York; Galerie Ron Mandos, Rotterdam – Amsterdam

STAGING SILENCE (1)

Hans Op de Beeck
After experiencing many similar public places, the artist found that they collectively lingered in his memory as abstracted, archetypal spaces. These formed the starting point of ’Staging Silence’, an ambiguous piece featuring an eclectix mix of ridiculous and serious images, the concrete and fantasy...

FABERMU

Thomas Bernardet - Florent Mulot - Camille Fallet
A collaborative video of Thomas Bernadardet co-directed with Camille Fallet and Florent Mulot. For an exhibition in the Galerie du Tableau in Marseille, each of them brought 100 photographies in digital format and 1 printed photography...

... AND

Peter Downsbrough
This film essentially consists of one continuous shot taken from the train window during its stop in the station of Metz, France. By way of prelude, …  AND opens with a fixed camera shot, a straight, razor-sharp positioning - an image of cars driving in the city. Then, we dive into the film by way of a traveling shot from the window of the train...

MONSIEUR EZIO BUCCI, SUPPORTER

Jacques Lennep
Video, apart from photography and holography, was but one of the media Lennep made use of during the 1970s, as he was adding on to his ‘museum of men’. His human models were derived from all layers of the populations, but they shared a common obsession for collecting things or, at the very, least an unusual passion...