OVERZICHT TITELS

Zoek collectie




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EXOTICORE

Nicolas Provost
An immigrant from Burkina Faso attempts to integrate into Norwegian society. The film explores the question of what it is like to be a foreigner searching for a niche in today’s world, and addresses the notions of solitude and contemporary insanity. Exoticore is an odyssey through our multicultural society complete with its alienation and prejudices. A dark journey into exoticism....

PICNIC

Steve Reinke
A collaboration with Dani Leventhal, who shot all the footage. Near death, death and the pastoral: a picnic....

PREHISTORICAL STILLS

Charley Case
Case follows the Brussels-based artist, performer and actor Dirk Hendrikx to his atelier where he performs ‘Prehistorical stills’, an intensive piece of body art involving earth and fire – but also sawdust, stones and a couple of nails. We witness how this singular artist makes ‘paintings’ from the positive imprint of his body....

HAMLETMACHINE

Hänzel & Gretzel
Four suspended monitors or video projectors form a ‘cathodic helmet’. In it Hänzel & Gretzel makes us read, see, and wait for their own interpretation of the Hamlet Machine, after the text by Heiner Müller...
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FLYING CHICKENS [PART]

Messieurs Delmotte
With a chicken in each hand the protagonist is launching himself off a sloping surface. The flight ends in a tumble, pulling along the two Galliformes. This work is part of the series Flying Chickens...

MUSÉE DE L'HOMME

Jacques Lennep
Video, apart from photography and holography, was but one of the media Lennep made use of during the 1970s, as he was adding on to his ‘museum of men’. His human models were derived from all layers of the populations, but they shared a common obsession for collecting things or, at the very, least an unusual passion...

REPÈRES EXTATIQUES

Hänzel & Gretzel
Lies can bring happiness if you realise they are real! A series of panels where you can meet the ever-ecstatic Teresa de Avila, the mightily phlegmatic Anubis and other perverted figures of a strange third mind world....
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UN DIMANCHE APRÈS-MIDI À 6H DU SOIR

Jacques Louis Nyst
In both 'La clé du paysage’ and ’Un dimanche après-midi à 6h du soir’ the spectator is in the position of the voyeur, spying Danièle Nyst through a window. In 'La clé du paysage’, Danièle Nyst is sitting in the garden, flipping through a magazine. Her image is cut up by the window frame...
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