OVERZICHT TITELS
Zoek collectie
EXCERPT OF A DAY
Mira Sanders‘Excerpt of a Day’ is an episode of sound from a day, from an everyday life. For Sanders, the perception of the ordinary, while walking, observing, exploring the space, is always a form of enquiry. In ‘Excerpt of a Day’, the real is returned to the possible...
YOKO OSHA: VOLUME II
Lazara Rosell AlbearThe second chapter of the trilogy started 14 years ago as an intimistic, performative, multilayered, sensorial, subjective selfportret of a return to the magical-realistic world of Santeria of Regla de Osha. The in secrecy practiced rich cult, that used to be forbidden by the government, has gained more and more followers from all corners of society in the past 20 years...
MORELE HERBEWAPENING
Anne-Mie Van KerckhovenThe term “morele herbewapening” stands for “moral rearmament”. The tape combines images from glossy magazines from the 50s and 60s, mainly home interiors, with drawings of nude women...
PERFORMANCE METRO MEIR
Ria PacquéeAs the title indicates, this video is a recording of a performance that Pacquée did together with Danny Devos in 1979. Standing on the lowest metro platform, Pacquée is on a small wooden square. With white duck tape she has made a bigger square around it, of which she keeps on enlarging the edges with new pieces of tape...
DEAD SEA DRAWINGS (PART 01)
Edith DekyndtEdith Dekyndt’s project Lot’s Wife (2009), of which the film Dead Sea Drawings is a part, refers to the fate of Lot’s wife, Edith, as described in the book of Genesis. Ordered by an angel not to look back as they flee the destruction of Sodom and Gomorrah, Edith fails to comply and takes one last look behind her, turning immediately into a pillar of salt...
NEITHER “IN” NEITHER “OFF” (IN BETWEEN VENICE AND BIENNALE)
Messieurs DelmotteIn the summer of 2013, Messieurs Delmotte developed a series of performances in Venice while the Biennial was taking place. In different parts in the city of doges, he poses or interacts with his direct environment...
FOTO-ROMAN
Ken KoblandRoad-video, video-poem, fugue-like daydream: this could be three possible labels for this associative and fragmentary video. The material, shot in Moscow, Beijing, Istanbul, Milan and New York, shows what any tourist gets to see in those places: a landscape rushing by seen from a train, a hallway on a plane, one’s feet in a bathtub...
KUNST ALS KRITIEK. WANNEER IS KUNST GEEN KRITIEK? 3. WANNEER HET KUNSTBEZIT EEN PRESTIGEZAAK IS
Jef CornelisPart of a series of short themed sketches surrounding the question “When is Art NOT Criticism?", ’When art collection is not a matter of prestige’ is an interview with Frans Baudouin, the curator of the Rubens museum in Antwerp, on the occasion of the acquisition of a high-priced self-portrait by Rubens...
DE LANGSTE DAG
Jef Cornelis21st June 1986. With over 6 hours of live television the programme De Langste Dag ('The Longest Day') by the BRT network was one of the main participants in the art manifestation Initiatief ’86, an amalgam of exhibitions simultaneously unfolding over several locations in the city of Ghent...
DELETE FOREVER
Félix CôteEvery day, thousands of people choose to remove their content from social media. YouTube, in particular, is home to a large number of ephemeral amateur videos in which people express themselves about their daily lives. Although soon deleted, these clips do present a sincere landscape of our connected societies. Delete Forever proposes a ritualistic way of safeguarding these personal videos...
