OVERZICHT TITELS
Zoek collectie
DER KREISLAUF
Katrien VermeireIn her new short film Katrien Vermeire depicts a unique game that is played on Belgium’s beaches in the summer months. When the weather is good, one can find colorful flowers for sale in small, impromptu-built shops. But these flowers hate being watered or rained on, as they are made of paper. Der Kreislauf takes an intimate look at the young players....
MELENCOLIA, EEN HOMMAGE NON-STOP
Stefaan DecostereAn essay which is at the same time a very personal homage to cinema and the history of visual art. Using early film footage as illustration, Decostere unfolds his reflecting piece in a setting that calls to mind pictures by Escher and Magritte...
MARINE TARGET
Lukas MarxtThe surface of the Salton Sea reflects the glistening sunlight. Sediment colors the water green at times, at the edge of the image, almost bluish. The camera that captures this gentle flickering and flowing, floats far above a white rectangle...
L'ARTISTE QUI DISAIT : MERCI !
Messieurs DelmotteMessieurs Delmotte is not an ungrateful artist and in this video he thanks absolutely everybody for watching him: from curators, colleagues and museums, to simple spectators....
TRAUNSTEIN
Nicolas Dufranne - Julie GasemiClaire discovers that she appears in a poor quality film found on the internet. She sees herself at the window of her house, accompanied by a man she does not know. They look like they are in love. She decides to set out in search of that stranger, towards Traunstein. The characters are caught up in a narrative which seems to repeat itself indefinitely...
TOUCH
Shelly SilverA man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a cataloguer and recorder, a gay man, a watcher, an impersonator. He passes his time collecting images - his witnesses and collaborators. Sitting in the dark, we look at them and share his cloak of invisibility, both a benefit and a curse. TOUCH is an essay narrated from one man's point of view...
FRIGOLITH
Michel FrançoisTiny Styrofoam balls, blasted by an invisible force. They seem caught in the screen. The fixed frame prevents us from seeing what they are in, where they are coming from. The tight framing closes the image in order to open it....
EPILOGUE
Michel Lorand’Epilogue’ begins with the technical introduction, the classic ‘countdown’ seen at the start of movies. The title then appears, followed by a white film, devoid of image. It is a blank film, but not clean. A woman’s voice reads out a claustrophobic text about memory and remembering...
image copyright the Artist
PLOT POINT
Nicolas ProvostThe crowded streets of New York City turn into fictive, cinematographic scenery. Provost is playing with our collective memory, its cinematic codes and narrative languages questioning the boundaries between a staged, suggested reality and authentic fiction...
