OVERZICHT TITELS

Zoek collectie




MY RECTUM IS NOT A GRAVE (NOTES TO A FILM INDUSTRY IN CRISIS)

Steve Reinke
Using footage shot in 1938 and 1939 by Ivan Besse, who owned a movie theatre in Britton, South Dakota and used local portraits in a kind of local news-reel, Reinke builds a strange reverie, sometimes speaking as Besse, sometimes as St. Paul, with reference to Frank O’Hara, Odetta and Dusty Springfield....

DER KREISLAUF

Katrien Vermeire
In her new short film Katrien Vermeire depicts a unique game that is played on Belgium’s beaches in the summer months. When the weather is good, one can find colorful flowers for sale in small, impromptu-built shops. But these flowers hate being watered or rained on, as they are made of paper. Der Kreislauf takes an intimate look at the young players....

CROSSING ASIDE

Mira Sanders - Cédric Noël
The film crossing aside is conceived as a phenomenological portrait of the Annie Vande Wiele pedestrian and bicycle bridge. It approaches the bridge not only as something people live with and use, but as something that itself lives and makes a space...

HET NIEUW BELGISCH KAMERORKEST

Jef Cornelis
Original broadcast date: 07/11/1985...
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HYALOÏDE

Danièle Nyst - Jacques Louis Nyst
Theresa and Codca question themselves, faced with a televised image of a film from the Fifties. The image has this strange power to provoke associations that escape their reason. It plunges them into a period from their childhood where a little pink spade and a nursery rhyme/tale seem closely associated to this extract of the film that makes them dream...

EUROPA VON WEITEM

Eva Meyer - Eran Schaerf
Through a number of conversations Europa von weitem relates the Levantine projection of Europe as it is found in the book by Jacqueline Kahanoff Vom Osten das Licht to other projections inside the continents as well as outside them...

A PLACE TO BE

Peter Downsbrough
A Place to Be is a dialectical exploration of two specific locations and urban conditions, one on the interior, the other on the exterior, while the soundtrack moves back and forth between ambient sounds and music (Satie’s piano music for instance)...
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LOW MEMBRANE

Hänzel & Gretzel
“Human kind is just a 12 inch monitor.” In this video music project with interview excerpts, Scanner aka Robin Rimbaud, who defines himself as an “electronic flaneur”, gives us his view on technology and explains how we are seduced and abused by it. As a musician, Scanner collaborated with The Orb, Laurie Anderson and film directors Derek Jarman and David Lynch....

TIME STICKS TO THE WALLS

Krassimir Terziev - Tsvetelina Hristova
As I breathe, as I sleep, as I eat, as I swim, as I shiver - I am haunted. (Pause 1) I am haunted by places and times. (Pause 1) I am haunted by other mes that have refused to stay quietly in the domain of the past and are clinging to memories of corridors, laughter, fear, the deep sadness of a present that slowly sinks into the cold dark swamp of a futureless past...

MY NAME IS KARLHEINZ STOCKHAUSEN

Steve Reinke
This is the atomic age; the material itself must be part of the creative act. One no longer forms a given material, one must also create the material.” Loosely adapted from interviews Stockhausen gave in the late 60s and early 70s. Vera Frenkel voices the composer. DNA structures, molecular life and astral projections fuse in synesthetic visions rooted in aurality....