OVERZICHT TITELS

AND [BACK

Peter Downsbrough
AND [BACK ‘plays’ a complex ‘game’ with the words AND and BACK, where the word BACK sometimes functions as indicator, sometimes as trigger, sometimes as a comment on what is happening on-screen...

SIGHTLESS

Michel Lorand
SIGHTLESS is filmed in the heart of the countryside. In the middle of a vast grassland, a collection of stones has been overgrown with brambles and weeds. On top of this tumulus three trees are slowly dying, unable to get sap from their roots to their branches, because farmers removed a small layer of bark. The film consists of a series of static shots, increasingly closer and closer to one tree...

TREETS APPEARANCES

Messieurs Delmotte
In the park, Messieurs Delmotte plays hide-and-seek with a series of big, old trees. Will he ever come back in front of the camera? Who or what is he hiding from? This work is part of the series The Mental Reason Vol. 1...

THE CRY

Ria Pacquée
In various outdoor locations, a cry is performed. As the locations differ – under trees, in a rough wooden structure, in a field – the distance of the performer from the camera also differs, altering the volume and proximity of the sound. The performer also varies the vocal qualities of the cry, including its length, tone, pitch and volume...

FLÂNEURS

Matthew Lancit
Between film projects and following the birth of his daughter, a Canadian in Paris (Matthew Lancit) must confront his slacker lifestyle and decide if there is something in it worth passing on to the next generation, or if he is better off getting a job...

INKTPOT

Luc Deleu - Filip Francis - De nieuwe Coloristen
In the dunes of the Belgian seaside town of Koksijde a bunker from World War II is with great deal of sense for detail transformed into a giant inkpot. This early video work is a collaboration between the utopian architect Luc Deleu, painter Filip Francis and the group ‘de nieuwe coloristen’ (translated as ‘the new colorists’)...

THE HUNDRED VIDEOS 52. LOVE LETTER TO DOUG

Steve Reinke
I think it’s true what they say in all those songs: falling in love requires overvaluing the tiny ways in which one individual varies from another....

THE FUCK

Messieurs Delmotte
Near a busy road Delmotte hangs a big sign on a statue, stating ‘Allez tous vous faire enculer’ (‘Fuck them all’). This work is part of the series 'Rejected videos'...

THE HOUSES THAT ARE LEFT

Shelly Silver
"The Houses That Are Left is a story of mortality, friendship, revenge, murder and the supernatural, as two friends come together to try to figure out how to live, while being besieged by malignant messages from the dead...

SANTIAGO DE CHILE

Jef Cornelis
Santiago de Chile, 1.500.000 inhabitants, is today recovering from the umpteenth dictatorship and from the exodus of intellectuals. Visual artist Juan Davila (Santiago, 1946) returned from Australia, where he had been living since 1974, especially for this film. He holds a dialogue with his colleague Eugenio Dittborn (Santiago, 1944) about dictatorship, staying or leaving, elitism and childhood...