OVERVIEW TITLES

CAPE GROUND

Lukas Marxt
Cape Ground appears in the Anthropocene. Man has become one of key factors influencing biological, geological and atmospheric processes on Earth. The Bosporus as connecting piece of inner Eurasian border....

RAOUL DE KEYSER

Jef Cornelis
Jef Cornelis made this portrait of the famous Belgian painter Raoul De Keyser in 1971, on the occasion of his exhibition ‘Linnen dozen, sneden en zware kalklijnschilderijen’ (‘Linen boxes, cuts and heavy chalk line paintings') in the Plus-Kern Art centre in Ghent, Belgium...

TRAVELOGUE 4: COMING FROM THE WRONG SIDE

Stefaan Decostere
Although this Travelogue is essentially a touristic program, Stefaan Decostere’s view introduces no peaceful landscape. The area, Banff, is presented as a recycled product of a generic past, where archetypal images are layered to create the illusion of the passage of time...

FANCY FLAGS WALK

Messieurs Delmotte
This work is part of the series The Mental Reason Vol. 2...

ONCE YOU'VE SHOT THE GUN, YOU CAN'T STOP THE BULLET

Jayce Salloum
Two descriptions: 1/ Shot on location in Beirut, Bikfaya, Byblos, Jerusalem, Jouni, Kelowna, La Jolla, Las Vegas, Limosol, L.A., Mesa, N.Y.C., Portland, San Diego, San Felipe, Tijuana and Vancouver...

WAR IS OVER

Roy Villevoye - Jan Dietvorst
In making contact with this major historical event, the sight of someone who has experienced battle has to be the ultimate outcome. Likewise a film about a cemetery can’t therefore do without the sight of someone dead. The search for unknown soldiers in the battlefield often is undertaken with opposing motivations...

ZIMMER, GESPRÄCHE

Dora García
A Leipzig apartment is the chosen setting for an encounter between a Stasi officer and a civilian informant in ‘Zimmer Gespräche’ (‘Room, Conversations’). Until 1989, the Stasi was the all-powerful East-German police. However, neither the Stasi nor the city of Leipzig are ever specifically mentioned...

GIZEH-BLANKENBERGE

Ria Pacquée
Ria Pacquée returns to Egypt, showing some of the sights and sounds which follow the sea of tourists which descends on Egypt every year. Against a back-drop of familiar gods, stylised figures and hieroglyphs, a steady stream of behatted, sunglass-wearing figures take photographs and record video footage...

HIGH TIDE

Lukas Marxt
High Tide hypnotically fixes its gaze on a landscape that’s either prehuman or postapocalyptic, but definitely a timeless arrangement in shades of gray — Lovecraft’s At the Mountains of Madness. Stiff, dry and dully gleaming like damp tar, they tear a hole between the dark, gloomy sea and the grayish sky...

GIRLS AND PHILOSOPHERS

Koen Theys
Video installation for two projectors. A diptych or triptych – depending on how you look at it. ’Girls and Philosophers’ sets out from two screens. Together they make out a diptych, with directly facing panels. In between, however, there is also the area which is marked off by the screens, where the spectators move about...