OVERZICHT TITELS

Zoek collectie




PERFORMING THE BORDER

Ursula Biemann
’Performing the Border’ is a video essay set in the Mexican-US border town of Ciudad Juarez, where U.S. industries assemble their electronic and digital equipment, located right across the border from El Paso, Texas. ’Performing the Border’ looks at the border as both a discursive and a material space constituted through the performance and management of gender relations...
Silent Letters, 2009, Mira Sanders © the artist Silent Letters, 2009, Mira Sanders © the artist

SILENT LETTER - QUOTATIONS

Mira Sanders
The text is a series of quotations from Salman Rushdie, Han Lorzing, Johann Wolfgang von Goethe, and Slavoj Žižek. All quotations concern the concept of (invisible) frontiers, and therefore of landscapes themselves....

HET GOUDEN KALF / LE VEAU D'OR

Jan Vromman
“Het Gouden Kalf” (“The Golden Calf”) is the report of a performance held in 2002. During the “Top of Laeken”, an anti-globalist manifestation in Brussels, the Golden Calf - a sculpture on a carrying board in true size - was carried in a procession to the European Parliament. The Golden Calf is, of course, the symbol for the adoration of power and money...
A Message from Space in my Backyard, 2008-2009, Krassimir Terizev © the artist A Message from Space in my Backyard, 2008-2009, Krassimir Terizev © the artist

A MESSAGE FROM SPACE IN MY BACKYARD

Krassimir Terziev
"It is far from rational from the perspective of single human life to imagine that a piece of space shuttle, after being launched some 20 years ago, would hit a woman in her backyard in California, or a piece of derelict Russian satellite, after orbiting the earth for a several decades, would reach its final destination in the desert of Australia in front of local shepherds...
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PIETER ENGELS, PARAMARCHE (REVERSE EVENT)

Jef Cornelis
Cornelis prefers to make use of the medium of television to show a work by the Amsterdam artist Pieter Engels in its conceptual form, in stead of supplying a typical purely sterile and pedantic framework. Similar to his other work from the 1960s and 1970s, Engels focuses on tiny, everyday things, creating confusion by questioning expectations and preconditions...
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WHITE LADY

Jacques Louis Nyst - Danièle Nyst
A videodance inspired by David Lynch’s 'The Elephant Man'. Though not clearly obvious in the piece, Nyst presents five tableaux that recall John Merrick’s mother’s life. The piece, openly Romantic and dramatic, flirts with the border of kitsch...

YOKO OSHA CHAPTER III OR THE FIRST DAY IS THE DAY OF THE RIVER

Lazara Rosell Albear
The third and final chapter of the Yoko Osha trilogy. “Making Saint” is an autoethnographic, sensorial and multilayered portrait of Santeria or Regla de Osha (The rules of the gods); the AfroCuban religion, forcefully imported from West Africa with the slaves trade and falsely syncretic for survival...
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YEAH, IN THE BATHROOM

Messieurs Delmotte
Delmotte, wearing a black-and-white striped costume and matching make-up, pretends to be an American rockstar. In an incomprehensible accent he brags about his concert-tour, the media and his home in Texas. This work is part of the series FränZ ünd KoFöN...
untitled part 6: upon the resonance of histories, Jayce Salloum, 2009-2010 © the artist & producer untitled part 6: upon the resonance of histories, Jayce Salloum, 2009-2010 © the artist & producer

UNTITLED PART 6: UPON THE RESONANCE OF HISTORIES

Jayce Salloum
Parihaka (on the north island of Aotearoa/New Zealand) is seen by many nationally and internationally as a symbol of non-violent resistance, and a Maori struggle for contemporary and historical justice ...

CONTAINER 01: OVER SENTIMENTALITEIT

Jef Cornelis
On the occassion of ‘het ontroerparcours’ (course of emotions), a series of articles in which a number of Flemish people were questioned about their subjective definition and experience of ‘emotion’, the Container-panel decides to investigate the term...