OVERZICHT TITELS

OPEN ]ING

Peter Downsbrough
The camera explores a port area and progresses along the sand or gravel mounds. Between two static shots on a double drawbridge downtown and traveling shots, Downsbrough shoots in black&white and dissects this architectonic space: a film about the juxtaposition, separation and collection of elements.  ...

37 STORIES ABOUT LEAVING HOME

Shelly Silver
"In this award winning documentary, Shelly Silver presents an intimate portrait of a group of Japanese women ranging in age from 15 to 82, talking about their lives, families and society...

IT WILL BE ALL RIGHT IF YOU COME AGAIN, ONLY NEXT TIME DON’T BRING ANY GEAR, EXCEPT A TEA KETTLE…

Johan Grimonprez
The multi-channel installation ‘It will be all right if you come again, only next time don’t bring any gear, except a tea kettle…’ (1994-2004) explores the creation of new mythologies in the wake of Western imperialism...

RON BURRAGE HITCHCOCK DOUBLE

Johan Grimonprez
‘Ron Burrage Hitchcock Double’ is an extract of a larger project of Johan Grimonprez about Hitchcock doubles. It shows the 'making of': the artist is visible throughout the tape, giving instructions, dialoguing with his 'model', Ron Burrage...

APHASIA

Jelena Jureša
Aphasia focuses on the absurdity that arises from the collective silence surrounding crime and the compartmentalisation of historical events. In medical vocabulary ‘aphasia’ refers to the sufferer’s difficulty in finding words or losing the ability to speak...

FILMISCHE SNELSCHETSEN 2

Filip Francis
In Filmische snelschetsen 2, Filip Francis gives another account of his quickly edited film sketches. Shot in super-8, he juxtaposes short sequences of interiors view of his atelier and artworks to external views of several neighbourhood in Brussels.  ...

A]S

Peter Downsbrough
As basic ingredients: five words and a typographical phenomenon or word-thing ‘(A]S itself)’; two black and white steady cam images, and in between them one in colour, all featuring the same fixed camera image shot somewhere along the railway, from the same point of view — but with a different train passing; or so it seems...

KUNST ALS KRITIEK. WANNEER IS KUNST GEEN KRITIEK? 6. WANNEER DE KUNST ZOET HOUDT

Jef Cornelis
Part of a series of short themed sketches surrounding the question “When is Art NOT Criticism?”, ’When art keeps people satisfied’ is a short report about a creative centre in Ghent, subsidized by the Belgian Post’s social service, where postal workers can paint and sculpt in their spare time...

LIED VAN MIJN LAND - DEEL 2: DIE WALKÜRE

Frank Theys - Koen Theys
This is the second part of the diptych ’Lied van mijn Land’ (’Song of my Soil’), based on Richard Wagner’s operas ’Der Ring der Nibelungen’ and ’Parcifal’. At Hunding’s...

UN ANGE PASSE

Marie André
’Un ange passe’ is a vivid observation of the social and sexual economies of prostitution, an indelibly envisioned narrative set in the Veemarkt harbor quarter of Antwerp. Andre tells the story of the prostitute Anita, who displays herself in a "show window" on the square and engages in a self-deceptive love for her abusive pimp...