OVERZICHT TITELS

ROMANTICOS DE LAS MARISMAS

Luc Gobyn - Luke Aaron Clark - Luismí Garcia
When you look at a bull and you see the gleam in its eyes, it feels like you’re having a conversation with it. The feeling it conveys makes you feel like the king of the world. At the same time filling you with humility, because you know how much you owe to the bull....

THE TOY SUN

Ken Kobland
A rumination on Time, with a capital "T". Time and its ravages, which really just means its progression, its nature. Set off by an "old" poem, a T.S. Eliot poem that’s literally haunted me for 30? or 40? yrs...even before I became an old man myself. (It’s an old man’s rumblings, and it never fails to move me...

THRENODY FOR THE VICTIMS OF HIROSHIMA

Steve Reinke - James Richards
This is really James Richards project: it was his idea and he shot the stuff. but dissatisfied with it, asked it I might try my hand with the material. It completes the trilogy at the middle of "Tiny Ventriloquist" — Beuys, Stockhausen, Penderecki — modernism facing history — so I was happy I could incorporate it into the work. (Steve Reinke)...

DE ZEEMANNEN EN HET SCHIP

Harald Thys
In ’The Sailors and the Ship’ two former sailors muse on their past from their apartment with a view on the sea wall. A male storyteller’s voice recounts their tale. Once upon a time they were brave seamen on a beautiful ship, led by a fantastic captain. But the death of their beloved captain caused the two man so much pain and sorrow, that they never spoke again...

LA FARDE AUX CANARDS

Jacques Louis Nyst
'La farde aux canards’ combines ducks with an array of functional objects (a foot bath, electrical cables, and so on), entities whose literal meanings have nothing whatsoever to do with one another, and which in that sense, also remain 'constant’ in substance. Nyst’s combinations, however, generate new and different meanings and in this case, the viewer’s hilarity....

ELEVAGE DE POUSSIÈRE / DUST BREEDING

Sarah Vanagt
In this work, Sarah Vanagt turns her attention to an important chapter in recent European history: the International Criminal Tribunal for the former Yugoslavia in The Hague...

DÉTACHEMENT

Cel Crabeels
This minimal video installation shows the material filmed by two hand camera’s attached to the belly of a trotting horse on two oppositely placed screens. They simultaneously filmed the movements of respectively the front and the hind legs...

A]S

Peter Downsbrough
As basic ingredients: five words and a typographical phenomenon or word-thing ‘(A]S itself)’; two black and white steady cam images, and in between them one in colour, all featuring the same fixed camera image shot somewhere along the railway, from the same point of view — but with a different train passing; or so it seems...

MY NAME IS KARLHEINZ STOCKHAUSEN

Steve Reinke
This is the atomic age; the material itself must be part of the creative act. One no longer forms a given material, one must also create the material.” Loosely adapted from interviews Stockhausen gave in the late 60s and early 70s. Vera Frenkel voices the composer. DNA structures, molecular life and astral projections fuse in synesthetic visions rooted in aurality....

BEFORE THE RAIN (A VILLAGE)

Hans Op de Beeck
On the occasion of the festival Europalia.India and the exhibition Indomania (Bozar, Brussels, September 2013–January 2014) Hans Op de Beeck travelled to the historically important religious centre of Hampi (Karnataka) to make a new video...