OVERZICHT TITELS
Zoek collectie
NON STOP DESIGN
Messieurs DelmotteMessieurs Delmotte tries to saw the legs of a chair while sitting on it....
POUR LA MÈRE ET LA FILLE
Olivier DekegelAn impressionist elegy about spring, water, light and motherly love, shot from the shoulder on Super 8. Connecting colourful snapshots and intimate scenes the film constitutes a homage to the candour, the cordiality and poetical nature of amateur films, home movies and domestic holiday shoots, which have developed over a couple of decades into conventionalised visual representations of the world...
BLUE
Ria PacquéeFrom her house, Ria Pacquée walks to the nearby art centre Extra City in Antwerp. She carries a long wooden lath that covers a large part of her face. While the setting might make one think of the typical comedy ladder drill, Pacquée performs her movements with precision and a deadpan seriousness....
PROVISORY OBJECT 01
Edith DekyndtBetween 1997 and 2004 Edith Dekyndt created a triptych of three short videos in which a soap bubble is stretched between two hands. This is the first part of the triptych, featuring the artists own hands. The shape of the iridescent soap bubble changes and reflects the light in various ways. Using simple techniques, Dekyndt appeals to a poetic dimension....
WAKE ME UP AT 4:20
Emmanuel Van der AuweraEmmanuel Van der Auwera’s newest work is a video that uses novel imaging technologies to explore the use of avatars, identity politics and recent internet trends dealing with YouTube celebrities and suicide memes...
VOYAGE À PARIS [ENGLISH VERSION]
Jef CornelisThe myth of ’Modern Life’ has its origins in Paris. Going to the City invariably resonates with an imaginary trip to Paris. ’Voyage à Paris’ is about looking and being looked at, about fashion and consumption, and about people’s fascination with Paris, ’the capital of the 19th century’...
CONTAINER 08: OVER DON JUAN
Jef CornelisA discussion on the figure and myth of Don Juan, which originates in three different sources: the original version by Tirso de Molina from 1630, the version by Molière from 1665, and the libretto and opera by Mozart and da Ponte from 1787. Even among these versions there are considerable variants regarding the characters, the personalities, intrigues and endings...
KUNST ALS KRITIEK. WANNEER IS KUNST WEL KRITIEK? 3. WANNEER EEN CARTOON AAN POLITIEK DOET
Jef CornelisThis film is part of a series of short thematic sketches focusing on the question Wanneer is Kunst Wel Kritiek? (When is Art Criticism?). In this third episode, the answer – which also serves as title – is “when a cartoon moves into politics”. As a caricature as such has a critical function, the act of drawing can always be made to fit some political stance...
WAAROVER MEN NIET SPREEKT 3: EEN HEMEL OP AARDE
Jef CornelisThis program tries to offer a solution for the dilemma between the needs of citizens and the reality of both the housing environment and urban organisation, which have over the years completely got out of hand (just think of the daily traffic jams)...









