OVERZICHT TITELS

Zoek collectie




THE IMBECILE

Hubert Marécaille
Devoid of close friends, a wealthy man, with perverse pleasures and lack of company, invites his aquaintances into his homes and gains the sympathy of his sons, promising an advantageous inheritance that another son refuses, causing irritation and total incomprehension, – irritation also created by his wife, that the man has bought her jewelry with his fortune "acquired honestly", insists du...
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POUR LA MÈRE ET LA FILLE

Olivier Dekegel
An impressionist elegy about spring, water, light and motherly love, shot from the shoulder on Super 8. Connecting colourful snapshots and intimate scenes the film constitutes a homage to the candour, the cordiality and poetical nature of amateur films, home movies and domestic holiday shoots, which have developed over a couple of decades into conventionalised visual representations of the world...

SAINTS’GAME

Amélie Derlon Cordina
There are periods of strong awareness of the sacred, and periods of desacralization. The film begins with an image, fed by the artist's own obsession with iconic representations, especially those of Christian saints...

AND ALIGN

Peter Downsbrough
A fixed long viewpoint of a busy intersection is ultimately interrupted by a 180° travelling. A woman is sauntering along the street lines, almost bored. The passing of time is prominent. An everyday environment is rendered as a modernist architectonical environment; order and disorder are shown in observation, and dissected...

LA FILLE QUI NE FERME JAMAIS LES YEUX

Nicolas Dufranne
In ’La fille qui ne ferme jamais les yeux’ we see a big-eyed girl staring into the camera for over three minutes without blinking once. Or could it be that she is closing her eyes on exactly the same moment as the viewer?...

DRIFTING

Hans Op de Beeck
'Drifting' is a narrative video in which an old man is heard off-screen, bidding farewell to his beloved. It becomes clear from his account that she committed suicide when they were both still young. At the end of his life, he speaks of the tragedy and of her inconceivable beauty, which he carries in his memory...
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THE HUNDRED VIDEOS 31. LONELY BOY

Steve Reinke
When I was fourteen years old I was a fat kid - I mean, that’s putting it blunt. I was 170 pounds. I was a heavy kid and it didn’t look like I was meant for show business at all. But I had that bubbling inside of me and I wanted to sing. And I did....

EVEN THE PROMPTER DIES

Erik Bünger - Manuel Saiz
Even The Prompter Dies is an experimental video that investigates the power of speech over images. Multiple voices – all belonging to the two filmmakers – wrestle for mastery over the footage, from various positions inside and outside the frame...
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THE HUNDRED VIDEOS 52. LOVE LETTER TO DOUG

Steve Reinke
I think it’s true what they say in all those songs: falling in love requires overvaluing the tiny ways in which one individual varies from another....
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DE EZEL VAN BURIDAN

Frank Theys - Bedrich Eisenhoet
'Buridan’s Donkey' was created in the minds and the speeches of eighteen boys and girls. The video shows some people who have never met before and, setting out from their own emotions and thoughts, tell each other about their passions. Three images doom out of the chaos: the wood, the church and the factory. The wood represents innocence and obviousness, disturbed by conscience...