OVERZICHT TITELS

Zoek collectie




Lobbyists, Libia Castro and Ólafur Ólafsson, 2009 © the artists & producers Lobbyists, Libia Castro and Ólafur Ólafsson, 2009 © the artists & producers

LOBBYISTS

Libia Castro - Ólafur Ólafsson
In their video work Lobbyists, Libia Castro and Ólafur Ólafsson portray lobbyists and counter lobbyists at work, exploring the maelstrom surrounding their activity in Brussels and Strasbourg...
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THE DIVERS

Nicolas Provost
A lonely woman is approached by a shy man on a moonlit balcony. The fulfilment of their longing is hampered by the mysteries of love in a burning night. Behind the woman, the illuminated city; the ringing of a church bell, fireworks exploding. They two characters look at each other but hardly dare to touch. The woman plays nervously with her pistachio green dress, the boy touches his trousers...

NATURE SEE YOU

Erik Bünger
In November 2015, at the eve of the UN climate change conference in Paris, a video was uploaded on the internet, in which Koko, a gorilla trained in the use of American Sign Language, addresses world leaders directly. She chastises humanity and calls for immediate action to save herself and the nature she is part of...

WAAROVER MEN NIET SPREEKT 2: ALICE IN WONDERLAND

Jef Cornelis
This documentary, based on a scenario by Geert Bekaert, is an attack on the alienation induced by modern architecture and town-planning. In the monotonous suburbs, life dies away and boredom rules. The city centres are depopulated and dead. The community spirit is not stressed and the individual does not find expression...
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WOMAN WALKING

Charley Case
A screen split in three. A woman giving birth in hospital. A pregnant belly just a few hours before. And nothing but the feet and legs of a man (or woman?) walking through deserts, mud, rivers, over rocks and mountains, asphalt and sidewalks and over a city rooftop, where (s)he ultimately loses the balance and drops to the ground. Once again, birth and death meet....
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KUNST ALS KRITIEK. WANNEER IS KUNST WEL KRITIEK? 4. WANNEER DE KUNSTENAAR IN ALLE ERNST SPEELT [NOS VERSION]

Jef Cornelis
Part of a series of short themed sketches surrounding the question “When is Art Criticism?”, the given answer this time being ’When the artist is toying around in all seriousness’...

NELLA FANTASIA

Lukas Marxt
The film begins with an image of impenetrable light gray: fog that doesn’t clear. Or possibly the surface of water? This is accompanied by a synthesizer, which establishes a few points of reference that relate to narrative fiction film: Spielberg’s Close Encounters of the Third Kind or, though faintly, Kubrick’s Apocalypse Now...
Document for the right to the everyday, Ria Pacquée, 1999. Courtesy the Artist Document for the right to the everyday, Ria Pacquée, 1999. Courtesy the Artist

DOCUMENT FOR THE RIGHT TO THE EVERYDAY

Ria Pacquée
This is a recording of a performance, a protest by the faceless, anonymous artist, in the city of Ghent, in reaction to the position she finds herself in, due to the attitudes of the state toward artists in general and to herself in particular. ...

COGELS OSYLEI, BERCHEM

Jef Cornelis
Cogels Osylei is an unique district, built around 1900 on the outskirts of Antwerp. With its exuberant mixture of neo-styles and Jugendstil, it was often discarded as the absolute limit of bad taste, to the point that plans were made in the 1970s to tear down the area altogether...
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