OVERZICHT TITELS

Zoek collectie




OVER THE TOP

Justine Cappelle
We meet Floris in the empty and cold warehouse where he collects cardboard boxes and is organising them in a specific way. We discover the boxes start to form a pyramid. The boxes symbolise Floris’ ultimate desire: reaching the top. Literally the top since Floris wants to put his epitaph of mankind on top of the Gizeh pyramid...

VIDÉO RELATIONNELLE (1973 - 1974): COMPOSITION TRIANGULAIRE

Jacques Lennep
A short formal study on triangular images, shot in the woods and featuring the artist as a performer. The work is conceptual: the camera 'scans' the surroundings showing triangles formed by the legs of the artist, the branches of a tree, a stone, etcetera....

THRENODY FOR THE VICTIMS OF HIROSHIMA

Steve Reinke - James Richards
This is really James Richards project: it was his idea and he shot the stuff. but dissatisfied with it, asked it I might try my hand with the material. It completes the trilogy at the middle of "Tiny Ventriloquist" — Beuys, Stockhausen, Penderecki — modernism facing history — so I was happy I could incorporate it into the work. (Steve Reinke)...

VANDALES ET VAMPIRES (NUITS SANGLANTES)

Lucile Desamory
In the twilight, an errant sleepwalker meets a vampire hunting for fresh blood...  ...

GIZEH-BLANKENBERGE

Ria Pacquée
Ria Pacquée returns to Egypt, showing some of the sights and sounds which follow the sea of tourists which descends on Egypt every year. Against a back-drop of familiar gods, stylised figures and hieroglyphs, a steady stream of behatted, sunglass-wearing figures take photographs and record video footage...

EFEMERIA

Jan Vromman
Efemeria is a transcription to video of a project with slides, a poem and soundscape from 1958. This assemblage of ’words/images/sounds’ is extremely nude in its juxtaposition. The transcription to video of 2011, became an act of purity and brutality, radical in all its simplicity. The slides are from photographer Julien Coulommier, the words are written and read by poet Chris Yperman...

HIGH TIDE

Lukas Marxt
High Tide hypnotically fixes its gaze on a landscape that’s either prehuman or postapocalyptic, but definitely a timeless arrangement in shades of gray — Lovecraft’s At the Mountains of Madness. Stiff, dry and dully gleaming like damp tar, they tear a hole between the dark, gloomy sea and the grayish sky...
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JONAS

Olivier Dekegel
A short portrait of and homage to the legendary filmmaker Jonas Mekas, generally considered as one of the major exponents of the avant-garde movement in the American cinematic landscape of the 1950s and ‘60s...

BRUNELLESCHI’S MIRROR

Justin Bennett
In Brunelleschi’s Mirror we find ourselves in the darkness, waiting for a glimpse of the world outside...

METAMORFOSE VAN HET OBJECT (1910-1970 PSK BRUSSEL)

Jef Cornelis
In 1971 the Palace of Fine Arts in Brussels presented an overview of modern and contemporary art at a large retrospective with sixty years of visual arts. The subtitle of the exhibition was Art and Anti-Art. It featured work by famous Belgian and international artists, including René Magritte, Man Ray, Marcel Duchamp and many others...