OVERZICHT TITELS

NEMAWASHI CACAHUÈTE (A-SIDE)

Charley Case
The work of Charley Case is often based on a binary notion. This video is constituted by a two-part form, modelled after a peanut. It is the biotope of pairs of organisms, uprooted bodies evolving around each other, cherishing each other ephemerally or ultimately melting into an intangible unity...

THE HUNDRED VIDEOS 88. THREE DREAMS

Steve Reinke
I’m in Chichen Itza and walking from the ball court to the big pyramid and it’s just about to get dark....

THE RABBIT AND THE TEASEL

Els Dietvorst
In a world where petty opinions, hysteria, commotion and emotion have become the norm and neo-liberal humanity is rapidly losing sight of the path to happiness, The Rabbit And The Teasel is a breath of fresh air. Fiction and autobiographical elements mingle in a lyrical tale that drags the viewer into a universe of beauty, death, and decay...

THE NEW DRESS

Jan Dietvorst - Roy Villevoye
A portrait of Sister Majella Hoppenbrouwers who worked from 1956 to 1961 with the Asmat Papuans in the former Dutch New Guinea....

THE COMMUNISTS ARE COMFORTABLE

Ken Kobland
... part Bronx reminiscence, part landscape fantasy; part morality play, part melodrama. A film in many parts with monologue segments written by James Strahs for Willem Dafoe, Spalding Gray, Ron Vawter, Peyton Smith and Luche Sacker. (www.kenkoblandfilms.com)...

UNE JOURNÉE AVEC MADAME AKAROVA

Ana Torfs - Jurgen Persijn
For this video work, made in 1989, during their studies at Sint-Lukas University College of Art and Design in Brussels, Jurgen Persijn and Ana Torfs worked together for the first time. As they were assigned to make a “video portrait” of someone, they chose Akarova, whose exhibition they had seen in 1988 in les Archives d’Architecture Moderne in Brussels...

THE HUNDRED VIDEOS 07. SPECULATIVE ANTHROPOLOGY

Steve Reinke
It wasn’t very long ago that the imagination could make its way into the world as an autonomous agent of seemingly repressed desires. I want to return to that time....

... AND

Peter Downsbrough
This film essentially consists of one continuous shot taken from the train window during its stop in the station of Metz, France. By way of prelude, …  AND opens with a fixed camera shot, a straight, razor-sharp positioning - an image of cars driving in the city. Then, we dive into the film by way of a traveling shot from the window of the train...

TELEVISION MAN

Michel Bonnemaison
The actor Enrique Ariman, in a state of ecstasy at the foot of Mount Sinai, raises certain still burning issues, even if, these days, they are acquiring a quaint charm. He is filmed by oscillation, with a small shaking camera, and does not blink once in 40 minutes...

BRUTUS

Edith Dekyndt
‘Brutus’ was filmed during a winter holiday in the mountains. It brings the same image into the picture as in ‘Living (Usual TV. Reflections)’; Dekyndt films here again the living room that is reflected on the television screen...