OVERZICHT TITELS
Zoek collectie
VOICE-OVER
Roy VillevoyeSet in the Asmat region in the Indonesian part of New Guinea, Voice-Over overlays the construction of a traditional wooden sculpture with a phone call about a sales deal gone wrong. The death of Roy Villevoye’s Papuan friend Omoma is the reason for the creation of the sculpture, a ritual that also functions as a memorial ceremony...
L'OBJET
Jacques Louis NystThe discovery of a child’s toy: a small blue metallic coffee pot, presents a complete enigma to an archaeologist of the future. The scientist no longer has any information at his disposal on Twentieth Century civilization. Patiently he attempts to unveil the significance of the object...
CAMINOTHÉRAPIE
Charley CaseFor an exhibition in the Hermès exhibition space (Brussels, October 2004), Charley Case created a circular metal construction...
IMPROVISATION
Eric PauwelsIn ‘Improvisation’, Pauwels films Pierre Droulers improvising to the music of Thierry De Mey in a one-sequence shot. A dancer and a camera-man limited in space and time. Both improvise within the confines of this setting. An uninterrupted take. We hear the tones of an exciting staccato rhythm...
THE CARS
Messieurs DelmotteSitting on the hood of a car, Messieurs Delmotte goes in circles around the parking lot. This work is part of the series Flying Chickens...
LA TROISIÈME VOIE
Lucile DesamoryWhile reading, a nun is waiting for the train on the platform of the station. A pickpocket thief grabs her suitcase. The nun starts the pursuit....
APHASIA 3RD CHAPTER
Jelena JurešaThe starting point of Jelena Jureša’s interest in the evolution of a narrative constituting the final episode of Aphasia is a single photograph, which is never shown in the work, but its presence is almost tangible, heavy, almost to the point of materialising before our eyes. We identify it in speech, we identify it in motion. It is heard, but not directly seen...
DE NAZI
Jos De GruyterBefore the eye of the camera a Nazi attempts to justify his acts. The scene is a parody of the ‘anonymous’ interview: the voice is scrambled and the head is not shown on screen. The relativizing testimonial is given an unreal and absurd edge through subtle pace accelerations...
JAMES LEE BYARS, ANTWERPEN 18 APRIL – 7 MEI 1969
Jef CornelisDocumentary on James Lee Byars’s exhibition at the Wide White Space Gallery, Antwerp (18.04.1969 / 07.05.1969). James Lee Byars, his whole body covered by a robe, talks to Walter Van Dijck about the meaning of art, the new meaning of clothes, the beauty of ’Natural Landscapes In An Urban Situation’, the role of museums and his idea that a show is a translation of his ideas...
VALLEY PRIDE
Lukas MarxtThe seemingly extraterrestrial camera eye floats upside down through a palm grove planted in a strictly rectilinear manner. Nature is literally upside down and existing in an artificial order as a business game. Only at the crescendo of the strange, vibrantly smoldering soundtrack by Jung an Tagen does the gaze slowly turn clockwise. Then, cut: quietness, open space...
