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IT’S QUICKER BY HEARSE · THE TALE OF THE PETITIONING HOUSEWIFE, THE PROTESTING SCHOOLBOY AND THE CAMPAIGN TRAIL STUDENT
Esther JohnsonWhen Madge Elliot complained about the announced closure of her local train station in Hawick, her mother told her to do something about it, and that’s just what she did...
ROBERT, JUNE 1996
Manon de BoerIn 1996 Manon de Boer made a series of black-and-white portraits with Super 8 – her first time-based work. She filmed a couple of her friends during moments of intense concentration: Laurien reading a book, Robert playing guitar. These are moments when they forget, just for an instance, what is staring at them; they are unaware of the camera’s presence...
ONE BY ONE
Marie Voignier - Vassilis SalpistisOne by one is a fifteen minute experimental film-collage, which is composed by a number of testimonies and texts relating to historical events and crisis in Greece. The assemblage converges the exploration of contemporary applications of the function of myth. To a great extend consisting of filmed photographs, even when in motion the images of the film suggest the stillness of a stable shot...
THE HUNDRED VIDEOS 33. CHARMING MUTT
Steve ReinkeI once had a lover who would occasionally transform into a dog - and not even a purebred....
THE HUNDRED VIDEOS 36. REQUEST
Steve ReinkeHi! I’m doing a video. I was wondering if you would take your clothes off for the video....
KUNST ALS KRITIEK. WANNEER IS KUNST WEL KRITIEK? 4. WANNEER DE KUNSTENAAR IN ALLE ERNST SPEELT [BRT VERSION]
Jef CornelisThis film is part of a series of short sketches thematic focusing on the question Wanneer is Kunst Wel Kritiek? (When is Art Criticism?). For this fourth episode, the answer – which also serves as title – is “when the artist is toying around in all seriousness”. How can it happen? 'Many a true word is spoken in jest' seems to tell us the Belgian artist Jef Geys (°1934)...
UN VOYAGE À TRAVERS N-DIMENSIONS
Mira SandersIn this travelogue I wonder by way of drawing a section of a photograph of Maastricht, what the concept dimension could mean. The film shows an investigation where a thinking and making is happening. I invite in the end the spectator to think further about the dimension in between the projection and the place where s/he sits....
C'EST MOY QUE JE PEINS, WIE ALLEEN STAAT HEEFT RECHT VAN SPREKEN
Jef Cornelis“C’est moy que je peins” wrote Montaigne to make it clear to the reader that he wrote his Essays in order to be seen in his “simple, natural, everyday fashion, without striving or artifice.” Writing in this instance turns out to be a basic tool for introspection and an attempt to make manifest the writer’s subjectivity...
FROM [ TO ]
Peter DownsbroughIn FROM [ TO ], the image slides past a motorway, past countless trucks, petrol stations and containers. Objects are isolated from their environment and articulated in a repetitive, almost architectural structure....
