OVERVIEW TITLES

THE HUNDRED VIDEOS 68. LOVE AMONG CORPSES

Steve Reinke
When we die the part of us that belongs to other people becomes an angel....

OPEN ]ING

Peter Downsbrough
The camera explores a port area and progresses along the sand or gravel mounds. Between two static shots on a double drawbridge downtown and traveling shots, Downsbrough shoots in black&white and dissects this architectonic space: a film about the juxtaposition, separation and collection of elements.  ...

PASSION DE L'ÉTÉ POUR L'HIVER

Lili Dujourie
It's the one work in which Dujourie doesn’t perform migratory passage on and off camera. Rather, she slouches on a stool in the corner of a room, legs spread, hands between them, leaning against a wall most of time as though fatigued or bored. It's the only time she appears in feminine fashion and much more make-up than usual...

TOMORROW SQUARE

Aglaia Konrad
The installation ’Tomorrow Square’ consists of two facing projection screens on which eight hours of ‘cityscapes’ can be seen respectively. The visitor takes place in the middle between the screens. The exhibition situation was conceived by Konrad as a square, where different visual and audible signals are picked up from various directions...

OFFICE BAROQUE

Cherica Convents
This video documents the thinking behind and making of Office Baroque, an on-site work the American artist Gordon Matta-Clark (1943-1978) created in 1977 in an empty house in the centre of Antwerp. For months, Cherica Convents and Roger Steylaerts followed the artist and others involved in the project, till its final completion...

S.O.L.

Robert Suermondt
The camera zooms in on the moving figures behind the closing titles of the film ‘Silence of The Lambs’ (1991, Jonathan Demme). The camera movements, screening the people and the space behind the titles, open up a new fictional space....

DE LOIN PARALLELE

Bernard Gigounon
This work shows three enigmatic individuals throwing rocks into a river. They can be seen as children, as protesters, as thugs, or as dancers. The river absorbs the shocks effortlessly, each collision vanishing through a thousand wrinkles as soon as the act has run its course, a powerful but fleeting spectacle....

CONCRETE & SAMPLES I: WOTRUBA WIEN

Aglaia Konrad
Concrete & Samples I, II, III is a series of 16mm films on sculptural architecture. What the buildings and site in all films have in common is the idea of ‘architecture as sculpture’ and a very distinct use of concrete that seem to depart from the free form of the whole in a sculptural manner...

DIE LORELEY

Anne-Mie Van Kerckhoven
In this computer-animation, Van Kerckhoven links together portrait paintings she made between 1987 and 1990 of 54 people that visited her unexpectedly. These people are acquaintances, friends and relatives. She linked each person chronologically to some words of the poem ‘Die Loreley’ of Heinrich Heine (1797- 1856)...

WHAT'S DONE, EVIL'S DONE

Messieurs Delmotte
"This is not a performance and even less a good idea." Mystery artist Messieurs Delmotte performs silent-movie hijinks with disregard for dignity and limb. In ’Ce qui est fait, le mal est fait’, the city merely provides a milieu for absurd actions performed alone before the camera...