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DESIRE
Shelly SilverWant to want to do, one must not desire the pleasure but take pleasure to desire. ...
UNIDENTIFIED AIR
Messieurs DelmotteA short video performance where we see Messieurs Delmotte, standing in front of a house, holding an inflatable dolphin in his arms. After a few seconds, an electrical pump starts to inflate the plastic animal. This work is part of the series Unidentified Emoticon...
HOMMAGE À MICHEL BONNEMAISON
Joëlle de La CasinièreOn November 6th 2006, his birthday, and 7 months after his death, a gathering of his friends paid tribute to Michel Bonnemaison at the SCAM (Société Civile des Auteurs Multimédia) in Paris...
ETIENNE ELIAS
Jef CornelisThe artistic style of Etienne Elias is very wide and it has taken various turns over the course of his life, with new forms and other accents. But his art is always driven by his colourful imagination, drawing its inspiration from his immediate surroundings, his friends and his habitat Ostende. Pictorially he visualises all of this as he sees it with his shifting artistic sense...
THE [AS
Peter DownsbroughTHE [AS, shot entirely in the airport of Geneva, Switzerland, is both an observation of daily events in a major transportation hub and a study of the characteristics of this building, which serves several Swiss international and long haul routes to North America, China and the Middle East. Overall, the subdued atmosphere in THE [AS breathes serenity and calmness...
TOMORROW SQUARE
Aglaia KonradThe installation ’Tomorrow Square’ consists of two facing projection screens on which eight hours of ‘cityscapes’ can be seen respectively. The visitor takes place in the middle between the screens. The exhibition situation was conceived by Konrad as a square, where different visual and audible signals are picked up from various directions...
VICTORIA
Lukas MarxtThe hypnotic wasteland of Southern California (USA) is infused with the free-spirited nature of Easy Rider, the alienation and uprootedness of Michelangelo Antonioni, and the deep transcendence of Werner Herzog. It speaks to us through fragments of dialogues from iconic films, and yet it remains elusive and dissolves into abstract shapes, rhythms, and compositions...
MOUNE Ô
Maxime Jean-Baptiste"I close my eyes. The crowd makes me smile, breaks my body, and that's the end". By presenting the festive events which escorted the projection of the film Jean Galmot aventurier by Alain Maline, where the father's filmmaker played a role, the images of Moune Ô reveal the survival of the colonial inheritance within a Western collective unconscious always marked of stereotypes...
epic (malhame), Julia Meltzer & David Thorne, 2008 © the artists & producer
EPIC (MALHAME)
Julia Meltzer - David Thorne“2 years ago when I was a donkey they used to hit me so I didn’t fall into the hole that is at the edge of the valley. I used to always walk along the edge of the valley, reach the hole, move around it, and then continue walking. Of course, that is after I fell into it the first time...
TRACE
Peter DownsbroughTRACE revisits the site of an earlier Downsbrough video, A] PART (2009). The location for both works, Brussels’s iconic Citroen garage, opened to great fanfare in 1934 as the largest automobile service center in Europe...
