OVERVIEW TITLES

Search collection




null

SCRUB SOLO 2: DISOLOCATION

Antonin De Bemels
The first step was a series of slow motion improvisations filmed in semi-obscurity with a super 8 camera. The interaction occurring between dancer and camera, between movement and light, led to a kinetic transformation of the body itself...

FABLE DE PLAGE OU LA LIBELLULE ET LE REQUIN

Joëlle Tuerlinckx
Example of a “film-récit film d’aventure”. We are shown fragments of the course taken by two objects fabricated on the beach and tied to balloons. The editing of the shortened version stays loyal to the chronology of the original shots. The objects work their way over the beach, slowed down every once in a while by obstacles or carried away by fierce gusts of wind...

VIOLIN FASE

Eric Pauwels - Eric Pauwels - Eric Pauwels
A solo in two movements; dance and camera. Eric Pauwels twirls the camera around the body of Anne Teresa de Keersmaeker. What we see is not the geometrical and minimalist choreographic structure, but a possessed woman, bathing in sweat, exploring the boundaries of physical exhaustion. A solo in two movements: the dance and the camera. Four uninterrupted takes...

ARMAGEDDON VALLEY

Emmanuel Van der Auwera
In modern-day Israel a mythical place exists where according to the scripture the end of the world will occur. Pilgrims wander the site in search for clues to answer their questions, and impart their own perception of this disputed land....
null

THE HUNDRED VIDEOS 92. NOTES ON THE UNCANNY

Steve Reinke
This place is familiar. I have been here before....

THE ROAD BACK

Maurits Wouters
The Road Back is a documentary journey to a time and place that have long been considered lost. The main character tries to find a lost village near a former international railway line where his recently deceased mother spent her youth. The past merges with the present as the filmmaker mixes archival films and close-ups of nature with old photographs...

C'EST MOY QUE JE PEINS, WIE ALLEEN STAAT HEEFT RECHT VAN SPREKEN

Jef Cornelis
“C’est moy que je peins” wrote Montaigne to make it clear to the reader that he wrote his Essays in order to be seen in his “simple, natural, everyday fashion, without striving or artifice.” Writing in this instance turns out to be a basic tool for introspection and an attempt to make manifest the writer’s subjectivity...

THE HOUSES THAT ARE LEFT

Shelly Silver
"The Houses That Are Left is a story of mortality, friendship, revenge, murder and the supernatural, as two friends come together to try to figure out how to live, while being besieged by malignant messages from the dead...
null

FACE À FACE (PART OF PAS DE DANSE)

Eric Pauwels
‘Face à face’ is considered by many to be nothing more than a “simple recording” of a performance by Michèle Anne De Mey. The spirit of the performance is certainly sublimely reproduced, but there is more. ‘Face à face’ is to some extent the synthesis of Pauwels’s earlier experiments...
null

IJSBREKER 15: GOOCHELEN VERSUS PARAPSYCHOLOGIE

Jef Cornelis - Jackie Claeys - Freddy Coppens - Mark De Geest
Priceless jokes, scientifically proven facts, well-intended or malicious manipulations of our consciousness, or artistic tricks? There isn’t much difference...