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THE HUNDRED VIDEOS 67. ASSPLAY

Steve Reinke
Recently my psychiatrist dismantled his practice in favour of becoming a baker. I hoped to get the brown leather couch. Instead he gave me the rough notes for a paper he’d been thinking of working on “Assplay: Anal Eroticism as Transformative Agent in Disney’s Pinocchio” in hope I would complete it....

AND_04-2020

Peter Downsbrough
In: Place #3, Janvier/ January 2021, D’UNE PLACE L’AUTRE / CHANGING PLACES https://www.place-plateforme.com/place3/peter-downsbrough-and.html AND_04.2020 opens with a black screen and the sound of a man’s voice rising over the noise of traffic. His words are hard to distinguish, but their tones and cadence indicate they might be Chinese...

LA COMÉDIENNE

Michel Lorand
The Medea installation is made up of a large, square table with four video monitors. A single actor or actress is seen on three of the four monitors, from the waist up and frontal. The fourth monitor shows only text. The starting point is a short prose piece written by Lorand about a young woman intending to kill her two children after the end of her relationship with their father...

LUCES DEL DESIERTO

Félix Blume
Strange lights appear at night in the Mexican desert – it seems to be full of life. The residents tell us what they’ve seen: a fireball, lights flying, lightning falling from the sky, a flash. The singularity of each experience builds a complete story narrated by a choir of people...

FROM SATIN ISLAND

Johan Grimonprez
A haunting collage of disaster and beauty, set to a shimmering track by Lights Out Asia, Johan Grimonprez in collaboration with acclaimed avant-garde novelist Tom McCarthy, based on an abstract from his latest book SATIN ISLAND....

FLÂNEURS

Matthew Lancit
Between film projects and following the birth of his daughter, a Canadian in Paris (Matthew Lancit) must confront his slacker lifestyle and decide if there is something in it worth passing on to the next generation, or if he is better off getting a job...
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MOUTH AND RED CHICKENS

Messieurs Delmotte
Messieurs Delmotte tosses around chestnut chickens with his mouth. This work is part of the series Facts and Gestures Vol. 1...

COMMUNICATION

Hans Op de Beeck
Within an abandoned post office painted white, a life sized projection shows a man at one of the counters stamping a huge pile of papers and envelopes, avoiding all communication. The work also exists as a smaller video sculpture. (Source: www.hansopdebeeck.com)...

MY NAME IS KARLHEINZ STOCKHAUSEN

Steve Reinke
This is the atomic age; the material itself must be part of the creative act. One no longer forms a given material, one must also create the material.” Loosely adapted from interviews Stockhausen gave in the late 60s and early 70s. Vera Frenkel voices the composer. DNA structures, molecular life and astral projections fuse in synesthetic visions rooted in aurality....
Celebration, Hans Op de Beeck, 2008. Courtesy Galleria Continua, San Gimignano – Beijing – Le Moulin; Galerie Krinzinger, Vienna; Xavier Hufkens, Brussels; Marianne Boesky Gallery, New York; Galerie Ron Mandos, Rotterdam – Amsterdam Celebration, Hans Op de Beeck, 2008. Courtesy Galleria Continua, San Gimignano – Beijing – Le Moulin; Galerie Krinzinger, Vienna; Xavier Hufkens, Brussels; Marianne Boesky Gallery, New York; Galerie Ron Mandos, Rotterdam – Amsterdam

CELEBRATION

Hans Op de Beeck
In harsh desert surroundings, with rocks and cactuses in the background, a wedding or some kind of celebration is taking place. It is blisteringly hot. The camera is mounted on a tripod.The scene is a tableau vivant: a living painting in which neither the view nor the picture frame changes...