OVERVIEW TITLES
Search collection
ROSE DE LIMA
Joëlle de La Casinière - Michel Bonnemaison20 kilometres off the Peruvian capital Lima, Villa El Salvador is no ordinary ‘barriada’. With its more than 300.000 inhabitants, it is a true example of self-management, autonomy and community. Born in the early 1970’s, after some 50...
LA FESSE NOIRE
Lucile DesamoryIn a convent, the punishment by a sadistic nun of a few mischievous school girls takes an unexpected turn... ...
THE HUNDRED VIDEOS 18. LANGUAGE OF FLOWERS
Steve ReinkeFlowers express an obscure vegetal resolution....
PRUNE TOURNE
Michel FrançoisA longhaired woman, whirling round, filmed from above. Her waving hair causes a pattern, taking on a new shape with every turn. This image, both photographic and sculptural, provides a kind of commentary on François’ work....
APPEARANCE
Messieurs DelmotteA fixed camera records a man popping up and disappearing in a cornfield. This work is part of the series UNDO / REDO Vol. 2 ...
A BOY NEEDS A FRIEND
Steve ReinkeSteve Reinke ostensibly turns to the subjects of friendship and intimacy in "A Boy Needs A Friend", in particular investigating the notion of queer Nietzschean friendship...
NUDE DESCENDING A STAIRCASE
Eitan Efrat - Sirah Foighel BrutmannThe first part of Nude Descending a Staircase is a composition of clips found online that were made by visitors—pilgrims—to the remote memorial site of Walter Benjamin in Portbou, Spain. Each of these individual registrations is anchored in the specificity of the location...
YOURS,
Eva Giolo - Rebecca Jane Arthur - Katja Mater - Sirah Foighel Brutmann - Eitan Efrat - Maaike NeuvilleA group of artists are invited to be inspired by the work of the well-known, Belgian filmmaker Chantal Akerman, specifically her film News from Home (1976). The busy city of New York serves as the film’s main character. Meanwhile, we hear Akerman’s voice reading letters from her mother in Brussels...
HOE WAAR VALS KAN ZIJN
Stefaan DecostereWorking under the cover of imitation and parody, Jacques Charlier has allways set out to expose the perverse use to which images are put by art and society. Decostere’s film demonstrates this in an exemplary manner...
TOKYO-PICNIC
Pascal BaesThe setting is Tokyo-Sinjuku, towards the end of the month of May. Baes edits microscopic images of blossoming flora and fauna and urbane turbulence in a spastic stream of wriggling shapes and colours. The soundtrack of abrasive sounds and scouring textures complements the atmosphere of confusion and anxiety....
