OVERVIEW TITLES

ARMAGEDDON VALLEY

Emmanuel Van der Auwera
In modern-day Israel a mythical place exists where according to the scripture the end of the world will occur. Pilgrims wander the site in search for clues to answer their questions, and impart their own perception of this disputed land....

THE GOOD LIFE (A GUIDED TOUR)

Katleen Vermeir - Ronny Heiremans
In the background technicians are installing a prestigious exhibition,whilst a smartly dressed lady is guiding a group of people around a series of pristine white spaces, some of them filled with crates and wrapped-up paintings. Along the way she not only comments on the art but also reveals the building to her audience from a unique perspective...

JOSÉ VAN DAM

Jef Cornelis

VOX CLAMANS IN DESERTO

Ria Pacquée
’Vox Clamans in Deserto’ is a combination of filmed reality (blood running down streets after a ritual slaughter in Moroccan Medina) and performance (a woman flinging sand into her face), intersected with a plain bright red screen...

THE HUNDRED VIDEOS 43. VISION (WITH BIRDS)

Steve Reinke
I had a vision - it wasn’t a dream because I was awake. My father was dragging my mother into the forest by her hair....

FOUNTAIN

Messieurs Delmotte
Messieurs Delmotte takes his morning shower in the public square fountain....

ÉCHANGEUR

Rob Jacobs - Anne Reijniers
In the streets of the metropolis of Kinshasa, young Congolese imagine their version of the colonial past. Around an empty pedestal that once carried a Belgian monument, emerges an imaginary city where archival footage, artistic performances and present-day Kinshasa interact...

THE FUCK

Messieurs Delmotte
Near a busy road Delmotte hangs a big sign on a statue, stating ‘Allez tous vous faire enculer’ (‘Fuck them all’). This work is part of the series 'Rejected videos'...

BRUNELLESCHI’S MIRROR

Justin Bennett
In Brunelleschi’s Mirror we find ourselves in the darkness, waiting for a glimpse of the world outside...

BULLY BEEF

Wendy Morris
Bully Beef explores Belgian selective amnesia and its lack of empathy. The statue of General Jules Jacques, World War I hero and colonial agent in Leopold II’s Congo, is the film’s central motif. Standing in the market of Diksmuide, the statue operates as the connection between two imperialistic events: World War I and the colonisation of Congo...