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THAT'S THE WAY IT IS
Messieurs DelmotteMessieurs Delmotte further explores his fascination for the hidden fantasies of the human body, with the intention of exposing it completely. In ’That’s the way it is’ parts of the body keep coming into focus, deprived of their context, conspicuously in the foreground of city views....
STAR SYSTEM
Edith DekyndtEdith Dekyndt’s work seeks to move us by means of nothing or almost nothing. Things are made and unmade very quickly, and it is this speed between appearance and disappearance, sometimes slowed down to be lost, which makes up Dekyndt’s images. She is interested in simple things, things that already exist in everyday life, things we normally wouldn’t notice they exist...
THE NOTHING THAT IS…
Ken KoblandTHE NOTHING THAT IS, comes out of the environment of our streets, these days; the 'virtual', 'other reality' which inhabits them. In the midst endless mining and searching for data, for information, for what's hidden (conspiratorially) in the everyday... It's bounded by 2 quotes (always words, I need them, what else can i say). One from a Wallace Steven's poem and the other from Robert Frank...
NACHTELIJKE BEZOEKERS
An van. Dienderen"The failures of the ethnographic endeavour to discover “reality” are revealed in this expository and experimental film. The narrator-ethnographer embarks on an expedition to encounter the Mosuo, an isolated and matrilinear tribe in the mountains of South West China. Their society is built on the principle of the axia-relationship, ties between ‘visitors of the night’...
MYODESOPSIES (PROBABLE SONG)
Edith DekyndtMyodesopsia is a term derived from Greek (muiôdès,opsis) and refers to the “spots” we see when we close our eyes or when we poke into them for some time, as this stimulates their appearance. One of the possible explanations for the observation of these small dots is that they have to do with remnants of tissue that belong to an embryonic state of the body...
S.O.L.
Robert SuermondtThe camera zooms in on the moving figures behind the closing titles of the film ‘Silence of The Lambs’ (1991, Jonathan Demme). The camera movements, screening the people and the space behind the titles, open up a new fictional space....
HOBBIT LOVE IS THE GREATEST LOVE
Steve ReinkeA desktop video in five parts: 1. My Calling Card – A remake of Adrian Piper’s seminal work of the same name. 2. The True Legend of Stereo – In which a venerable European artist, with the aid of simple geometric figures, explains things. 3. Trauma in Retrospect – In which Reinke, also with the aid of diagrams, explains other things. 4...
LETTRE À JEAN ROUCH
Eric PauwelsThis film is a moving tribute to French filmmaker Jean Rouch. Pauwels, a former collaborator of Rouch, accompanies him on a trip to Japan. In this cinematic letter, which he himself calls “a journey into the memory”, Pauwels philosophises about the essence of cinema and, consequently, of life....
PANTYHEAD
Alison MurrayIn ’Pantyhead’ Murray tackles the scary dreams and exciting nightmares of girls and boys in the age of prime time television and decent citizens. TV Girl works in her family’s Chinese Take Away. Channel-hopping is her companion. A man with knickers on his head comes off the TV and into her midst. Battle ensues...
