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VIDÉO RELATIONNELLE (1973 - 1974): COMPOSITION TRIANGULAIRE

Jacques Lennep
A short formal study on triangular images, shot in the woods and featuring the artist as a performer. The work is conceptual: the camera 'scans' the surroundings showing triangles formed by the legs of the artist, the branches of a tree, a stone, etcetera....

FOX : NATURAL SIZE

Messieurs Delmotte
This work is part of the series The Mental Reason Vol. 1...

WE CAME TO DANCE

Didier Volckaert
World Exhibitions are twilight zones in which actual knowledge about the world and exoticism go together with sexual projection and frustration. Till deep into the 20th century, the then superpowers used "Human Zoos" to spread the worldview that “we” are part of civilization, whereas there are others who are not...
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HISTOIRE D'UN CORPS

Jacques Lennep
A short conceptual work by this Belgian pioneering video artist about corporality and memory. The artist is in a room that resembles the lavatory of a school of gym. He takes off his suit and a female voice-over starts to sum up some of his physical problems and ailments: scars on the knee, a curvature of the spine due to scoliosis, angiomas...

SHOOTING OF FIRE

Messieurs Delmotte
A short video-performance starring a plastic soccer ball on a football field. Monsieur Delmotte enters the field, pours fuel on the ball and sets it on fire. Then, he kicks the ball toward the goal in the back of the field. The fire on the ball extinguished but the fire keeps on burning on the original spot of the ball. This work is part of the series Unidentified Emoticon...

EXPO CHAMPÊTRE

Koen Theys
A white monitor, a white table and chair. The viewer can go and sit in front of the screen. Images out of the oeuvre of the artist appear and move by slowly in a perfect white landscape as if they were floating in a vacuum. Buses, cottages, a table, trees, lighting posts, groups of tourists with their cameras ready, a doorknob. The objects move along in an endless procession...

C'EST MOY QUE JE PEINS, WIE ALLEEN STAAT HEEFT RECHT VAN SPREKEN

Jef Cornelis
“C’est moy que je peins” wrote Montaigne to make it clear to the reader that he wrote his Essays in order to be seen in his “simple, natural, everyday fashion, without striving or artifice.” Writing in this instance turns out to be a basic tool for introspection and an attempt to make manifest the writer’s subjectivity...

WE HAD FUN YESTERDAY

Marion Guillard
When I was younger, I hated my body as much as I was obsessed by images of "Nature". On the one hand, I told myself they were sublime, and that's why they existed, and on the other, I felt that as a woman, if people didn't look at me, I'd disappear. The film runs around my character's experience...

RAW MATERIALS

Justin Bennett
Based on personal memories reaching way back into time, Raw Materials creates a resonant patchwork with fragments of field recordings originating from divergent cities like Fribourg (Switzerland), Barcelona or Beirut. With a pitch-black image as canvas – a technique that actively shifts the attention towards the sound – snow-white text lines appear one by one in typewriter style...

WALLPAPER

Edith Dekyndt
A flower print on textile is extremely slowly moving in the wind. Is the a curtain? Where is it located? And what is happening behind, on the other side of it?...