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PAPILLON D'AMOUR

Nicolas Provost
Papillon d’amour is based on key scenes from Akira Kurosawa’s classic Rashômon [1950], which are modified by a simple intervention: the insertion of a vertical axis of reflection through the image center. This central axis defines the focus of agency and, at the same time, the sphere of maximum turbulence on the image plane...

A CITY REMIX

Kurt D'Haeseleer
An answer to the genre of “city symphonies”, ‘A City Remix’ offers a look at the generic, expanded and ex/imploded contemporary cities. Sociological, urban, economical and personal patterns are woven into a work where each image relates both to every other image and to daily life. An attempt to show what our high-speed culture has made invisible...

READY-MADES WITH INTEREST

Rebecca Jane Arthur
When the filmmaker found a 1967 concert ticket in Vienna, this set her on a musico-historical journey in Austria that eventually led her back home to Scotland. Whilst she traced the information on the ticket and the history behind it, a letter arrived from her father that prompted a grander investigation into the sociopolitical backdrop of the music played that night...
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HYALOÏDE

Danièle Nyst - Jacques Louis Nyst
Theresa and Codca question themselves, faced with a televised image of a film from the Fifties. The image has this strange power to provoke associations that escape their reason. It plunges them into a period from their childhood where a little pink spade and a nursery rhyme/tale seem closely associated to this extract of the film that makes them dream...

TROU

Michel François
A close-up on two hands as they try to dig a hole in the ground. The speed of the video is accelerated which gives a nervous tension, enforced by the sound, to this seemingly neverending task....

DE STOEL WAAROP IK ZIT / LA CHAISE SUR LAQUELLE JE SUIS ASSIS

Jan Vromman
Jan Vromman is not actively concerned with the creation of an oeuvre; he rather makes an impulsive use of wide ranging styles and gestures. The DVD ’De stoel waarop ik zit’ (‘The Chair I Sit Upon’) consists of two parts...

CONCRETE & SAMPLES I: WOTRUBA WIEN

Aglaia Konrad
Concrete & Samples I, II, III is a series of 16mm films on sculptural architecture. What the buildings and site in all films have in common is the idea of ‘architecture as sculpture’ and a very distinct use of concrete that seem to depart from the free form of the whole in a sculptural manner...

THE HUNDRED VIDEOS 56. JIN'S DREAM

Steve Reinke
I dreamt that I went to art school and when I woke up - I mean, when I graduated - I got this job designing pornographic playing cards....

THE WAVE

Sarah Vanagt - Katrien Vermeire
In "The Wave" the archaeological gaze of the viewer is set in motion: a mass grave from the Spanish Civil War (1936–39) opens and closes itself. In 2011 we placed a camera above the spot where nine victims were buried after their execution by Franco’s supporters in June 1939...
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BIBA-NON-BIBA

Hänzel & Gretzel
This whirling dance tape is a visual odyssey from Beirut to Berlin, a woman’s story set in the oppressive civil fragmentation of two divided cities where images of destruction and reconstruction are intermingled. A cutting edge poetic short, that maps out the roots of inner and outer landscapes...