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GARDENING

Hans Op de Beeck
This B/W animation film offers a perspective on an evolving landscape drawn in pencil. The artist is invisible to us, and tries to tame the landscape into highly singular gardens by shaping nature, manipulating, destroying and reviving it. The spectator sees how the author works out a train of thought in a remarkable vocabulary....
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RAPT & HAPPY

Emily Vey Duke - Cooper Battersby
’Rapt & Happy’  reminds of a diary, secretly enjoyed but having been let lying around by Vey Duke herself, waiting for it to be found...
Gospels, Erik Bünger, 2006 © the artist & producer Gospels, Erik Bünger, 2006 © the artist & producer

GOSPELS

Erik Bünger
With His terrible beauty, passion and drive, He has a profound effect on the people whose lives He touches. His presence generates a physical and spiritual experience, a euphoria that fascinates and frightens...

THE BRIDGE (2)

Messieurs Delmotte
Delmotte hangs over a bridge near a canal and ‘goes to the toilet’. This work is part of the series 'Rejected videos'...
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THE HUNDRED VIDEOS 94. ANTS AND BEES

Steve Reinke
It seems to us that ants, like bees, are always working. But if you look closely, you’ll find that they take all kinds of breaks....
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SPIEGEL

Lili Dujourie
A mirror and a fireplace are reflected. A naked woman enters the frame; stands up next to the fireplace ... We see her nude reflection in the mirror, standing off-camera, before she enters the camera's active zone. From our observation point, we see her walk forward, breaking the threshold of the camera's field of vision but still reflected in the mirror...
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J.P.

Steve Reinke
A remix of the 20 mn ‘Tuesday and I’ by young Canadian artist Jean-Paul Kelly. Reinke leaves the 20 mn one-take monologue intact, speeding up and slowing down the tape (mostly speeding up) to extract empathy for the subject and squeeze sounds out of his body....

ALS REUZEN STERVEN

Jan Vromman
When giants die let three generations look back on the street happenings around parties and manifestations. The grandfather appears as a ghost and represents processions organized by order of cities and municipalities. It is his son who places the parades in a series of processions, historical processions, parades, traditional parties and carnival parties. Criticism and attraction play their game...

AS SOL TO EVA

Teresa Cos
The appropriation of the famous letter that Sol LeWitt wrote in 1965 to artist and friend Eva Hesse is at the center of this work. In what seems to be a Skype conversation with a distant friend -wearing a t-shirt printed with LeWitt’s hand drawing as it appears on the manuscript- the letter becomes a two way pep talk in the mouth of an online oracle...