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LES 7 HOMMES QUI MARCHENT + RESERVE

Joëlle Tuerlinckx
Original material from "After Architecture After", an exhibition by Joëlle Tuerlinckx curated by Moritz Küng 03.11.2006-25.11.2006 deSingel, Antwerp, Belgium...

THE SIMPLE FACT OF NOT BEING A WOMAN (1)

Messieurs Delmotte
In this early piece, part one of two, Messieurs Delmotte dresses up as some disco diva, dancing naked in front of the camera on a thumping disco beat. Is it so easy not being a woman?...

KUNST ALS KRITIEK. WANNEER IS KUNST GEEN KRITIEK? 1. WANNEER HET WOORD “KUNST“ TOT KOPEN AANZET

Jef Cornelis
Part of a series of short themed sketches surrounding the question “When is Art NOT Criticism?”, ’When the word ’art’ urges someone to buy’ is a report on a painting and framework factory, producing 300.000 oil paintings each year. Outworkers produce 50 pieces a day...

REPÉRAGE

Herman Asselberghs
Why not remake 'Zabriskie Point'? Michelangelo Antonioni's early seventies film was about contemporary America seen from a distance. ‘Moi, j’ai regardé l’Amérique telle qu’elle m’est apparue, sans savoir ce qu’elle est,’ the Italian director stated, philosophically downplaying his thorough research into late sixties U.S. turmoil...
God Moves on the Water, Erik Bünger, 2008 © the artist & producer God Moves on the Water, Erik Bünger, 2008 © the artist & producer

GOD MOVES ON THE WATER

Erik Bünger
In this intriguing and at times startling exploration of narrative, Bünger collides two very different interpretations of the sinking of the Titanic in 1912. The music video of Céline Dion’s ’My heart will go on’, featuring clips from the 1997 film ’Titanic’, is manipulated to fit a much earlier blues song about the same event...
Avant-garde citizens: Samm’s story, 2007, Libia Castro & Ólafur Ólafsson © the artists Avant-garde citizens: Samm’s story, 2007, Libia Castro & Ólafur Ólafsson © the artists

AVANT-GARDE CITIZENS: SAMM’S STORY

Libia Castro - Ólafur Ólafsson
Samm relates a unique story of flight and survival. After being forcibly recruited as a soldier in Liberia, he manages to escape imprisonment and certain death, to find himself unexpectedly in Rotterdam. His experiences with the Dutch immigration and asylum system, as well as the criminal justice system, read as a saga that would be impossible to make up....

TRIENNALE BRUGGE

Jef Cornelis
A calendar and pictures of the Second Bruges Triennial in 1971, paintings by Karel Desmedt, Etienne Elias, Robjee, Raoul de Keyser,… Content: 00’00" Leader. 00’07" Titles. 00’15" View of a painted facade and of people walking in front of it. 00’32" Poster for the Second Bruges Triennial...

HEIR TO THE EVANGELICAL REVIVAL

Wendy Morris
A great number of my forebears fled or emigrated to South Africa due to their religious convictions. French and Flemish Huguenots in the 17th century, English Protestant missionaries and clergy in the 19th century. Though I am atheist-agnostic-apostate i must trace my South Africanism to the religious convictions of my ancestors. I like church spaces and architecture...

HET RAADSEL VAN DE SFINKS

Jef Cornelis
The work of architect Charles Vandenhove is an exploration of architecture in its fundamental simplicity and inevitable variety of form. His work, and in addition today’s architecture, is explained in the Liège Hotel Torrentius, a mansion from the 16th century being renovated, and this document’s focal point...

BETWEEN FLASHBACK AND DÉJÀ-VU II

Krassimir Terziev
Two cameras are watching each other. One of them - fixed on a tripod overseeing a wide panoramic view of Sofia from high viewpoint, the other one - mounted on a drone seeking the location of the first one in a close-up on the facade of a building....