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TARLABAŞI VE BEN

Jaad Gaillet - Marianna Francese
After many years in jail, Mustafa, a man in his fifties, decides to leave his native village and his family in the eastern Turkey to take refuge in the Turkish metropolis, in Istanbul. From Çağlayan to Kadikoy, his ephemeral wanderings in Istanbul finally lead him in the neighborhood of Tarlabaşı, where he settles and reinvents his life as a waste picker...

CIRCULAR INSCRIPTION

Lukas Marxt
A mountain range on the horizon separates the cloudy sky from the dusty desert soil of the El Mirage Dry Lake, with the sounds of a distant roar. In the long shot, the gaze shows a detail of the Californian Mojave landscape, whose static panorama forms the referential and also material background for Circular Inscription...

RADOUB TEASER

Claude Cattelain
The water level varies and the bins in the hangar move up and down....
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PARTITION POUR UN MOUTON

Jacques Louis Nyst
A suite of photographic and filmic images made in the country. An ode by and for the environment of the sheep....

BATAILLE

Nicolas Provost
‘Bataille’ is based on the same process as ‘Papillon D’Amour’. A scene, in which two samurai clench on to each other, turns into a shadow-fight between shades, with itself and the cosmos....
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LA FORCE FAIT L’UNION FAIT LA FORCE

Johan Grimonprez
An acceleration of a camera movement, a dancer and some racehorses. They all take the same rhythmic run to the climax. Johan Grimonprez sets up a sociological scrutinising of the universe of horse racing and unbridles it through its absurd angels. He comes up with a universe far removed from childhood when horses were associated with fairs and merry-go-rounds....

FACE À FACE

Eric Pauwels
‘Face à face’ is considered by many to be nothing more than a “simple recording” of a performance by Michèle Anne De Mey. The spirit of the performance is certainly sublimely reproduced, but there is more. ‘Face à face’ is to some extent the synthesis of Pauwels’s earlier experiments...

EUROPLEX

Ursula Biemann - Angela Sanders
’Europlex’, made in collaboration with visual anthropologist Angela Sanders, is a video which looks at the Spanish-Moroccan borderlands. What we can call the border there is not a linear formation...
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FEED BACK PAINT

Pascal Baes
‘Feed Back Paint’ is based on a simple concept people have been experimenting with for several decades: video feedback, or in other words, what happens when a camera films a screen surface in real time, and the signal is sent back to the very same screen. The technique is simple, its behaviour unpredictable...
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BANDEKO BASI

Bie Michels - Paul Shemisi Betutua
The documentary Bandeko Basi by filmmakers Paul Shemisi and Bie Michels examines the position of women in Kinshasa, focusing on how they navigate both traditional and contemporary roles, particularly in relation to female sexual identity. Central to the film is Hana Kele (known as HanaKel on social media), an activist who champions female sexual identity...