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VOICES
Miguel Peres dos SantosThat one is able to speak does not mean that one has a voice. In Voices, Miguel Peres do Santos constructs a comparison between the collective consciousness and a censored archive...
SUPER-SUPERPOSITION
Filip FrancisTwo men are sitting in a film studio. On the background the viewer hears the sound of opera music. Close-ups of the men’s faces reappear on the TV monitors at the bottom of the screen. The same concept is repeated, but now the men are standing up and moving their arms....
L'ART DU COUPLE
Jan BucquoyThe artist and film maker plays the part of himself in this feature film that highlights Bucquoy’s relationships of the past two or three years, with the assistance of some ten (ex-)lovers with whom he had a relation in this period. What kind of relations do people enter into? Bucquoy: “Living together or separately—I've tried it but it is too expensive, as my mother used to say...
OUTPLACEMENT 01 (PORTRET)
Cel CrabeelsCel Crabeels explicitly tackles the issues of the area surrounding the St. Jan’s square. He visits the itinerary between the Fabiola Hall and the Sint Jan’s square almost on a daily basis, making contact with the people he meets on his way. He invites them to make a video portrait in the underground parking garage where he has built a studio for the occasion...
BRAINSTORMING
Bernard GigounonStooping over a directory of Belgian enterprises, one cannot fail to recognize that we have a certain talent for abstraction when it comes to finding names for our companies. Bernard Gigounon likes to think of these as being the result of some very serious brainstorming sessions. Reading the names out loud one after the other, the artist reveals an absurd and incredible tangle of words....
DAS RETIRÉE OR THE LAST HOUSE OF MY FATHER
Julie PfleidererIf you were to design your dream house now that you're at the end of your life, what would it look like? This question from the filmmaker to her father, retired architect Karlhans Pfleiderer, is the starting point of Das Retirée or the last house of my father. Slowly but surely, the house takes form, first drawn on shifting layers of transparent paper, then glued into a scale model...
TANIA, MODÈLE POUR PHOTOS DE CHARME
Jacques LennepVideo, apart from photography and holography, was but one of the media Lennep made use of during the 1970s, as he was adding on to his ‘museum of men’. His human models were derived from all layers of the populations, but they shared a common obsession for collecting things or, at the very least, an unusual passion...
RAOUL DE KEYSER
Jef CornelisA view on Raoul de Keyser’s exhibition in the contemporary art section of the Royal Museum in Antwerp: views of the museum, entrance hall and rooms housing the Raoul de Keyser exhibition. Raoul de Keyser strolls with Jef Cornelis across a football pitch in Deinze talking about the influence of football on his paintings. We see a few paintings on football pitch themes....
