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MARTIAL RAYSSE
Jef CornelisA document on French visual artist Martial Raysse, as he prepares an exhibition at the Palais des Beaux-Arts in Brussel...
L'ECOLE DES PICKPOCKETS
Sven AugustijnenThe filmmaker focuses on a daily and well-known hassle in public spaces, namely the phenomenon of pickpockets. Two professional thieves give a master-class in the art of pickpocketism in front of the camera. A video between fiction and reality....
LA FILLE QUI DESCEND L'ESCALIER
Joëlle Tuerlinckxoriginal material from "After Architecture After", an exhibition by Joëlle Tuerlinckx curated by Moritz Küng 03.11.2006-25.11.2006 deSingel, Antwerp, Belgium...
CONTAINED MOBILITY
Ursula Biemann’Contained Mobility’ concentrates on the suspended time-space of translocal existences, and the politics of mobility and containment. The video project looks at the situation currently emerging from the changes to, and prompted by, the regulation of movement across Europe’s borders...
MANEZH SQUARE, MOSCOW, USSR
Ken KoblandMoscow in sept. 1990 is a city on the edge of historic change; hanging somewhere between perestroika and collapse, between reform and disintegration...
TSUMI (THE MIS-STEP)
Pascal BaesExperimenting with the use of a stop motion technique that freezes movement through the use of long exposures and slow shutter speed, Baes filmed during three months his intimate family live. A soft-porn autobiographical documentary: the axing of wood, a performance by Baes’ life companion Aï Suzuki, love-making and birth-giving and the philosophy that no pleasure can be without crime....
LA FORCE DES CHOSES
Bernard MulliezThe film is a portrait of the father of the artist, who lived off a private income provided by a familial commercial empire—for which he simply had to thank his birth. Mulliez has tried to render visible the exterior forces that influenced this man. There’s of course the issue of money, but there’s also the matter of an interiorized user’s manual that comes with capital...
THE HUNDRED VIDEOS 76. MICROSCOPE
Steve ReinkeWhenever I look into a microscope, I feel like I’m looking inside of something. A barrier seems to have been broken....
THE STREET
Jef CornelisThe street is more like a machine of movement equipped to make traffic run smoothly than, in its original and spontaneous form, a breeding ground for life. The efficiency controlling the traffic grid does not merely affect the existing living area, but also the form and pattern of a new way of living. Residential areas have turned into traffic zones; inhabitants are pushed back into their homes...
