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1937 [INSTALLATION, FRENCH VERSION]
Nora Martirosyan"Two chapters, two time periods, one story. On the one hand, 1937, at the height of the Stalinist purges in Erevan, in the soviet Armenia, the year of the arrest of Nora Dabagian’s father who was a political dissident. On the other hand, 2006, the circumstantial story of this arrest related by the old woman, affectionally known as Baboulia, who was a very young girl in the 1930ies...
ARMAGEDDON VALLEY
Emmanuel Van der AuweraIn modern-day Israel a mythical place exists where according to the scripture the end of the world will occur. Pilgrims wander the site in search for clues to answer their questions, and impart their own perception of this disputed land....
BUILDING STORIES #001 (THAT DISTANT PIECE OF MINE)
Els OpsomerBuilding Stories # 001 [That Distant Piece Of Mine] is a 16mm film recorded in Senegal; reportedly the most accessible West African country, a tourist destination with a renowned hospitality. Far from the "clichés" shows this film a poetic stroll through a topical Senegal...
THE HUNDRED VIDEOS 36. REQUEST
Steve ReinkeHi! I’m doing a video. I was wondering if you would take your clothes off for the video....
L'OMBRELLE EN PAPIER [CONFÉRENCE VIDÉO]
Jacques Louis NystConference grouping the different sequences: ’Le paysage’, ’Le voyage de Christophe Colomb’, ’Le tombeau des nains’, ’La mort d’une poule’, ’Le Robot’, ’Revolver’ and ’L’ombrelle descendant un escabeau’. The paper sunshade approaches Spring, it is growing amongst the crocuses...
VOX CLAMANS IN DESERTO
Ria Pacquée’Vox Clamans in Deserto’ is a combination of filmed reality (blood running down streets after a ritual slaughter in Moroccan Medina) and performance (a woman flinging sand into her face), intersected with a plain bright red screen...
LA CLÉ DU PAYSAGE
Jacques Louis NystIn both 'La clé du paysage’ and 'Un dimanche après-midi à 6h du soir’ the spectator is in the position of the voyeur, spying Danièle Nyst through a window. In 'La clé du paysage’, Danièle Nyst is sitting on the garden, glancing through a magazine. Her image is cut up by the window frame...
BULLY BEEF
Wendy MorrisBully Beef explores Belgian selective amnesia and its lack of empathy. The statue of General Jules Jacques, World War I hero and colonial agent in Leopold II’s Congo, is the film’s central motif. Standing in the market of Diksmuide, the statue operates as the connection between two imperialistic events: World War I and the colonisation of Congo...
