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NIGHT TIME
Hans Op de BeeckThe artist’s animation piece ‘Night Time (extended)’ is based on the innumerable watercolors he has produced in recent years. The film takes the viewer on a silent, enigmatic journey through fictitious, often nocturnal settings. Sometimes those mysterious places are populated by anonymous figures...
TUNE IN
Esther Johnson"Ham Radio, the Space Age hobby where the world is your friend." Tune In follows the intriguing world of amateur radio operators, better known as Radio HAMS. Although amateur by definition, Radio HAMS are unique enthusiasts involved in a pastime that requires a rigorous licensing exam taking months of study...
BEGINNINGS
Roy VillevoyeIn his work Roy Villevoye (1960) explores issues around anthropological representation, the conventions of documentary filmmaking and the heritage of colonialism. Even though his videos, often realized in collaboration with Jan Dietvorst, are frequently considered documentaries, he distances himself explicitly from the genre...
„HELLO, MY NAME IS…” …AND… “YES, I´M FINE.”
Gernot Wieland“Are we holding on to the objects of remembrance – or is it the objects that are holding on to us?”Gernot Wieland links in „Hello, my name is…” …and… “Yes, I´m fine...
THE BENCH
Messieurs DelmotteMessieurs Delmotte is lying under a bench. Suddenly he rises, making the piece of garden furniture turn over. This work is part of the series Flying Chickens...
THE CORRIDOR
Sarah VanagtFor 5 days Sarah Vanagt and cinematographer Annemarie Lean-Vercoe followed a donkey during its weekly visits to old people in nursing homes in South-England. From home to home, from room to room. Each time the donkey was welcomed warmly, with greetings, songs, strokes, childhood stories, poems, and laughter...
INSIDE RUMOURS
Hugo Pauwels - Sabine Van Der LindenSome buildings radiate a personality of their own through their shape and environment. Apparently they exist there, in and of themselves, unaffected by time and human restlessness. Still, every window hides an existence. This is the short story of one of these buildings, filmed over 24 hours, in which flashes of the people that live there and rumours peep through...
LIGHT DISPLACEMENT
Meggy RustamovaThe starting point for this film were Meggy Rustamova’s many attempts to photograph a tree in Hiroshima, Japan. Aspects of war, escapism and fear are expressed in this audiovisual trip. The atomic bomb in Japan and the current nuclear threat between the US and North Korea is translated into the white, overexposed photographs, which fade into complete 'white-out' in the film...









