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THE SIMPLE FACT OF NOT BEING A WOMAN (2)
Messieurs DelmotteAfter having dressed up as some disco diva in ‘The Simple Fact of Not Being a Woman (1)’, Messieurs Delmotte poses in this early piece again frontally naked for the camera. This time, he is wearing a fake pair of rather explosive breasts…...
QUE SERÁ SERÁ: LES DIAMANTS ROSES
Jacques Lederlin - Joëlle de La CasinièreA cleaning man of Inter-Airways finds a bag full of pinks diamonds, hidden in a garbage can on the airport. He returns the diamonds to the authorities. On the background, consisting of black-and-white images of airports, images of airplanes and diamonds are pasted. The woman appearing in the center of the screen sings the tale of the lucky cleaning man....
READY-MADES WITH INTEREST
Rebecca Jane ArthurWhen the filmmaker found a 1967 concert ticket in Vienna, this set her on a musico-historical journey in Austria that eventually led her back home to Scotland. Whilst she traced the information on the ticket and the history behind it, a letter arrived from her father that prompted a grander investigation into the sociopolitical backdrop of the music played that night...
RISING FALL
Lukas MarxtRising Fall is a three-part study on nature as its spectacle, on what Spinoza termed natura naturans, or “nature naturing.” Something happens without the need of a guiding agent. Filmic images are content to quietly watch and listen and wait. And they expect the same of how they are observed. In other words an immanence of nature confiding a secret...
THE CORRIDOR
Sarah VanagtFor 5 days Sarah Vanagt and cinematographer Annemarie Lean-Vercoe followed a donkey during its weekly visits to old people in nursing homes in South-England. From home to home, from room to room. Each time the donkey was welcomed warmly, with greetings, songs, strokes, childhood stories, poems, and laughter...
IN [ TO
Peter DownsbroughThe silent, ultra-short black-and-white video IN [ TO is shorter than a video clip: it clocks in at 2 minutes, 47 seconds. It was made with material shot exclusively for the film, plus footage filmed 'on the occasion', while Downsbrough was working on other projects...
OCCUPIED
Peter DownsbroughThe film is shot entirely within the site of the Cité Administrative in Brussels. In an interview during the early stages of this project, Peter Downsbrough said : " I use film to introduce time within my observation. Its very unfolding makes film the ideal means to do this"...
OOG EN HAND ALS UITDRUKKING 02
Jef CornelisFor the art programme 'Openbaar Kunstbezit' Cornelis made two essayistic television reports in 1972 about the use of hands and eyes in the visual arts, “a way to look and to communicate.” Once more, 'Oog en hand als uitdrukking 02' ('Eye and hand as expression 02') is particularly free with regard to its format, bearing in mind the television standards of the time...
