COLLECTIE

Zoek collectie




null

LE COUP DU LAPIN

Jacques Lennep
Lennep goes to market in Charleroi and buys a live rabbit. He then kills the animal with a hammer, skins it and cooks it for dinner....
Teatro, 2010, Angel Vergara Santiago © the artist Teatro, 2010, Angel Vergara Santiago © the artist

TEATRO

Angel Vergara
’Teatro’ is a reduced version of ’Teatro Montalban’....

S.A.T.S. (SHORT AIRFIELD FOR TECHNICAL SUPPORT)

Joëlle de La Casinière - Michel Bonnemaison
Sequence shot of a caged bear at the Barranquilla zoo in Colombia, while one of the Pisan Cantos is being quoted in Ezra Pound’s own voice....

PRUDENCE VAN DUYSEPLEIN

Danny Matthys
The camera circles around a circular square in Ghent. In each of the above-mentioned works several cameras film simultaneously a countryside, a street, a square, ... from different angles, so as to obtain continuous and synchronous images from a certain number of co-ordination points in a well-defined circuit. Each shot made in this way is shown on a monitor...

MOLTEN BALL

Messieurs Delmotte
This work is part of the series The Mental Reason Vol. 1...

VIDÉO HEBDO 31

Claude Cattelain
A strange creature swims in an aquarium....

VIDÉO HEBDO 13

Claude Cattelain
The masking tape wraps the camera and layer after layer the lens documents the decreasing light....

UBUNDU

Jelena Jureša
Jelena Jureša’s Ubundu, a film poem filmed at Antwerp Zoo, portrays the okapi, an animal exhibited for the first time in Antwerp in 1919 (the nine-month-old animal was an instant sensation, but within a month it grew weaker and eventually died)...

L'HOMME QUI MARCHE

Philippe de Pierpont
A fictional character walks through the half of Belgium, from the centre of Brussels to De Panne at the seaside. On his way he meets 'real' people from everyday that show their everyday environments. In this documentary, de Pierpont uses fictional techniques in order to create a subjective portrait of the north of Belgium, and its inhabitants in 1992....
null

PERSON'NA

Jen Debauche
An intense, chilling tale on lust and eating rituals, filmed by Jen Debauche with a Super 8. She alternates vivid colours with B/W images and she makes use of stop-motion technique to create a frenetic, uncanny atmosphere, combined with a sound design which is just as eerie...