COLLECTIE
Zoek collectie
Sofie cassière, 1987, Angel Vergara Santiago © the artist
SOFIA CAISSIÈRE
Angel VergaraVergara films a cashier at work in a supermarket. During the length of the work, consisting of one shot, she is serving some customers and announces a message over the intercom. Vergara films uninterruptedly from the same position. Just as ’Tino cordonnier’, ’Sofia cassière’ is understood to be simply a recording of someone else’s work....
Palais Royal, 1988, Angel Vergara Santiago © the artist
PALAIS ROYAL
Angel VergaraIn ’Palais Royal’ several people are posing in front of the Royal Palace in Brussels. The spectrum is diverse. Families with young children as well as three sailors are shown onscreen. In the meantime, traffic goes up and down Koningsstraat and Paleizenplein....
THE HUNDRED VIDEOS 61. SPARKY
Steve ReinkeThe original Apollo moon landings were not televised live. Instead a 17 second delay was instituted....
NE PLUS AIMER LA NEIGE
Isabelle MartinIn ’Ne plus aimer la neige’ Isabelle Martin investigates the feeling of emptiness a young woman experiences who stopped enjoying the things in her life which used to give her a feeling of satisfaction, in an extremely sensitive style. The aesthetics of the film are combined with the poetical and sometimes funny narration by the voice of Martin...
I LOVE MARIE DE CORTE
Marc Vanrunxt - Robert CashFragments of a dance performance by Marie de Corte. The solemn music and the darkness of the images create a haunting atmosphere....
DÉLIRIUM VIDÉO 4
Jacques LennepAnother part in this series of short sketches wherein the artist brings an homage to some of the most iconic artists of the 20th century. Somewhere in between performance, lecture and slapstick, Lennep honors amongst others the heritage of James Ensor....
PERSONA NON GRATA, 2007, Fabio Wuytack © the artist
PERSONA NON GRATA
Fabio WuytackIn the 1960s, the artist’s father Frans Wuytack worked in the barrios of Caracas, in Venezuela, as a priest and social activist. His actions led to him being imprisoned and deported on multiple occasions. In 2006, he returned to Caracas with an exhibition of paintings, sculpture and other art inspired by the struggle for justice of the barrios’s inhabitants...
A.M./P.M.
Herman AsselberghsThere is no visible human presence in ’a.m./p.m’. Photos of cosmopolitan city landscapes are systematically scanned along with display views of office blocks, flats, dark corners, illuminated windows and skyscrapers. On the soundtrack one can hear a woman’s voice, talking about herself and the world, about images of today, about a journey...
