COLLECTIE

Zoek collectie




SILVERLEAF

Adam Leech
Adam Leech produces videos with a narrative touch. The protagonists of these stories are usually archetypical inhabitants of ‘the American suburbia’ we are familiar with from countless television series. Their preferred pastimes are shopping, parties and interior design - in short, everything that has to do with the aestheticization of the everyday...

FABLE DE PLAGE OU LA LIBELLULE ET LE REQUIN

Joëlle Tuerlinckx
Example of a “film-récit film d’aventure”. We are shown fragments of the course taken by two objects fabricated on the beach and tied to balloons. The editing of the shortened version stays loyal to the chronology of the original shots. The objects work their way over the beach, slowed down every once in a while by obstacles or carried away by fierce gusts of wind...

ECCE HOMO

Robert Cash
48 - Now he that betrayed him gave them a sign, saying, Whomsoever I shall kiss, that same is he: hold him fast. 49 - And forthwith he came to Jesus, and said, Hail, master; and kissed him. 50 - And Jesus said unto him, Friend, wherefore art thou come? Then came they, and laid hands on Jesus, and took him. (Matthew 26)...
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VERSION ORIGINALE01

Joëlle de La Casinière - Michel Bonnemaison
Two Japanese actors read passages from ‘L’Empire des signes’ by Roland Barthes. His structural meditations on specific aspects of oriental culture – in this case specifically on the Japanese language and kitchen – are illustrated and substantiated by an entanglement of words, writing and image...

ICI (UNE LETTRE À CHANTAL AKERMAN)

Bram Van Paesschen
ICI is a parody which by its very nature might at first seem trivial or gratuitous. The film is a remake with a vengeance of Chantal Akerman’s Là-bas. ICI (French for ‘Here’) takes place not in Tel-Aviv – Akerman’s Là-bas (‘There’) – but in Brussels, where Van Paesschen lives...

3 PIECES FOR GAMELAN ENSEMBLE

Philip Corner
"’Gamelan’ means for Philip Corner more than the name for Indonesian orchestras. The composer uses the word the way, apart from Europe, someone might say ’symphony’...

LA FORCE DES CHOSES

Bernard Mulliez
The film is a portrait of the father of the artist, who lived off a private income provided by a familial commercial empire—for which he simply had to thank his birth. Mulliez has tried to render visible the exterior forces that influenced this man. There’s of course the issue of money, but there’s also the matter of an interiorized user’s manual that comes with capital...
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DRUPPELS EN KOFFIE

Philippe Van Snick
A cup of coffee is standing on the table, next to two pieces of paper. The pieces have drops of coffee on them. As time goes by, the stains get bigger and bigger. New pieces of paper are laid on top of the other. In the end the coffee cup gets poured out....

KUNST ALS KRITIEK. WANNEER IS KUNST WEL KRITIEK? 1. WANNEER KUNST MAATSCHAPPIJBEWUST MAAKT

Jef Cornelis
Part of a series of short themed sketches surrounding the question “When is Art Criticism?”. ’When art creates social awareness’ is an interview with J.F...
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I AM FISTING AGAIN

Steve Reinke
A short video as explicit as its title....