COLLECTIE

Zoek collectie




REJECTED VIDEOS

Messieurs Delmotte
In this series Delmotte explores the subversive power of excrements, vulgarity and blasphemy. Content: ’The Bridge 1’, ’The Fuck’, ’Urinal and bread’, ’The Beers’, ’The Bridge 2’, ’Wax Candles’ and ’Snuff Coq’....

CADAVRE EXQUIS (BRUSSELLE, PART I)

Katleen Vermeir
In ‘Cadavre Exquis, Brusselle part: 1’ Vermeir maps out the city of Brussels by making a tour with Pierre Querut, a B-movie and documentary director from the seventies, of lost film houses in the former film district of Brussels. As Querut recollects on that era, he is always conscious of the proximity of the camera and he never stops commenting on Vermeir’s style of filming...

AN ANTHOLOGY OF NOISE & ELECTRONIC MUSIC VOL. 2 - SECOND A-CHRONOLOGY 1936-2003

Guy-Marc Hinant
"SLOW EXPLORATIONS OF THE PAST AND THE PRESENT Given the present system of production there are reasons, some of them identifiable, why only a few names emerge in each period. There may also be a preference for concentrating information rather than letting it pile up in disordered fashion...

SMOKE

Roy Villevoye
My new film Smoke on which I worked over the past half year or so, tells the story of my very good (Asmat-)friend Ndo, who got blind as a young boy. And how eventually he got new eyesight. It also tells of friendship and efforts made because of this. Of hope and loss. And of confusion dealing with all this and the unexpected paths life takes...

VIDÉO HEBDO 41

Claude Cattelain
In one take Cattelain tries several times to build a column of blocks from the ceilling....

THE DYNAMITE SHOW

Koen Theys
Similarly to most of Koen Theys’ work, ’The Dynamite Show’ also shows a fascination with contemporary iconography. This video was built from video images of various explosions, developed by several American companies, who specialize in special effects for Hollywood films...

HET RAADSEL VAN DE SFINKS

Jef Cornelis
The work of architect Charles Vandenhove is an exploration of architecture in its fundamental simplicity and inevitable variety of form. His work, and in addition today’s architecture, is explained in the Liège Hotel Torrentius, a mansion from the 16th century being renovated, and this document’s focal point...
placeholder

RUE FRANCIS

François Vogel
From the balcony of an apartment at the Parisian rue Francis a camera embodies the fixed centre of a visual journey: an immobile eye which, due to variable focus, is mobile at the same time. The result is a whirlwind of perspectives, edited in a way that is not apparently subject to rhyme or reason...