COLLECTIE
Zoek collectie
THE HUNDRED VIDEOS 51. WINDY MORNING IN APRIL
Steve ReinkeI dreamt I could suck myself off but when I woke up I found my back was nowhere near that flexible....
LA SÉRIE
Lucile Desamory1. L’infirmière cannibale A nurse is stealing corpses in order to eat up their brain. The hospital's staff eventually finds out about it. The cannibal nurse is brutally killed and buried in the garden… 2. Le générateur d’ondes électro-psychiques Witold works in a bank during the day but at night, he is building an electro-psychic waves generator...
EXTERN TRAVEL
Jan De CockHere De Cock presents a twenty minute, uninterrupted travelling shot. The setting is a typical Belgian B road, with poorly lit pubs and cars speeding in the background. The shot was made near Waterloo, a symbol-laden place that represents death, loss and defeat, but also hope. The work provides little context for what is going on...
PANAMARENKO: PORTRAIT EN SON ABSENCE
Claudio PazienzaOne of a number of possible portraits of The sculptor from Antwerp withdrawn from a film project about his person. From that moment on, how is it possible to make a portrait, if the main person concerned is not there? The author resorts to ostriches, to archives, special effects, to evoke the world of Panamarenko....
Silent Letters, 2009, Mira Sanders © the artist
SILENT LETTERS
Mira SandersSilent letter is divided into six monitors. Five of them present a video sequence in which lines of sharing, contours, observation, positioning (1 x n) in the landscape, urban space, and the artist studio, are introduced. Each video, inscribed with a date, delivers the story of a foreign observer. This story is subtitled on a black screen...
FINAL THOUGHTS, PART ONE
Steve ReinkeAs his final work, Reinke is assembling a string of ‘final thoughts’ – thoughts and images which are, if not definitive, final. The work will be added to as time goes on and not be completed until the artist’s death....
Les artistes, 2010, Angel Vergara Santiago © the artist
MONDAY: FIREWORK; TUESDAY: ILLUMINATIONS; WEDNESDAY: REVOLUTION
Angel VergaraIn the exhibition ’Monday: Firework; Tuesday: Illuminations; Wednesday: Revolution’, shown in Argos in spring 2010, Angel Vergara concentrated on history, and more specifically on the early days of the Belgian monarchy and its cultural, social-political and economic context...
Le Centre et La Classe, 1970, Boris Lehman © the artist
LE CENTRE ET LA CLASSE
Boris LehmanThe PMS (Psychological, Medical and Social) Centres measure and facilitate the development of schoolchildren in Belgium. This film, commissioned by the Ministry for National Education, demonstrates the methods adopted with children in the sixième (around 10-11 years), through their medical, academic and other assessments and the processes for identifying and addressing any problems...
KUNST ALS KRITIEK. WANNEER IS KUNST WEL KRITIEK? 1. WANNEER KUNST MAATSCHAPPIJBEWUST MAAKT
Jef CornelisPart of a series of short themed sketches surrounding the question “When is Art Criticism?”. ’When art creates social awareness’ is an interview with J.F...
CONTAINER 03: DE PUNTZAK VAN HEINE
Jef Cornelis“What is it with history: providence, coincidence, irony or fate?”. This is a quote from one of the letters that have been selected to be read out in the letter project ‘De Puntzak van Heine’. The project is extended through the medium of television, reflecting on a number of inherent questions...
