COLLECTIE
Zoek collectie
VACUUM
Cel CrabeelsThe alternative showing space 'Vacuum for New Dimensions' owed its inception in 1970 to the happening and conceptual artist Filip Francis and his wife Maryse Masson and was housed in a art-nouveau house in the Cogels-Osylei in Berchem (Antwerp)...
THE LEAVES
Messieurs DelmotteThe protagonist is cycling in the street. He slows down with his right foot, scraping on the dead leaves along the kerb. Collecting a small heap of leaves he comes to a halt. This work is part of the series Flying Chickens...
DES MORTS
Thierry ZénoZéno and his team made this experimental documentary on location in Mexico, the US, Belgium, South Korea, Thailand and Nepal. As the title indicates, the film focuses on the death, i.e. the deceased—and the living, who remain behind. The author refuses to comment: he wants the rituals and the participants to speak for themselves through the detached camera that merely records...
LE MAL DES ARDENTS
Alice BrygoA stunned crowd faces a fire. The threat has no name, a diffuse anguish spreads. Fear needs to be conjured, fire must be turned into a sign....
Le Centre et La Classe, 1970, Boris Lehman © the artist
LE CENTRE ET LA CLASSE
Boris LehmanThe PMS (Psychological, Medical and Social) Centres measure and facilitate the development of schoolchildren in Belgium. This film, commissioned by the Ministry for National Education, demonstrates the methods adopted with children in the sixième (around 10-11 years), through their medical, academic and other assessments and the processes for identifying and addressing any problems...
IJSBREKER 10: LAAT ME (NOG EENS) LACHEN
Jef Cornelis - Mark De Geest - Anton Stevens - Jackie ClaeysAn episode of ‘Ijsbreker’ on the world of entertainment and humour...
WHITE HOMELAND COMMANDO
Elizabeth LeCompte‘White Homeland Commando’ was written for the Wooster Group by associate Michael Kirby. It takes the familiar terrain of network action drama but tilts its playing field...
QUOD
Alexis Destoop‘Quod’ is based on medical macro pictures of the eye. Through animation techniques the inner depth of the perceived “object” was accentuated. Then the animation was integrated into a 3D model, which was conceived as an unfolding surface. Contradictory principles are bundled together in a slowly transforming dynamic, a hypnotic dance of micro movements....
