COLLECTIE

SECOND-HAND EXPERIENCE 02

Edith Dekyndt
The 'Second hand experiences' are an uncompleted series of film installations, reinterpreting movements from childhood. In 'Second-hand experiences 02', Dekyndt handles an embroidery floss and builds a square loop which she keeps on shaping and reshaping with her hands...

THE VANISHING VANISHING-POINT

Effi Weiss - Amir Borenstein
Since autumn 2005 Effi and Amir have been following an olive tree that was planted in the Parc Leopold, a small and well-tended park at the feet of the European Parliament, and a few dozens of meters away from their apartment in Brussels. The Olive tree, as foreign as them, appeared in the park several weeks after their own arrival in this city...

ATTENTION PUBLIC

Cooper Battersby - Emily Vey Duke
A 10 minute experimental narrative telling the story of Karen Annasdaughter, a young woman raised by a group of radicals in the woods of Nova Scotia. With this project Vey Duke and Battersby aim to clear a psycho-spiritual space for the viewer which was not cleared before. "We want this space to contain empathy (identification) and joy...

THE UNDERDEVELOPED MAN

Messieurs Delmotte
In 2012 Messieurs Delmotte went to Jakarta where he did a series of his typical performances in public space. We witness him carrying out breakneck tricks like lying on the banister of a bridge spanning a rock-filled river, or lying on the pavement of a extremely busy road...

COVERING #4: LAMPSHADES

Luc Compernol
‘Covering # 4: Lampshades’ is the fourth part in the ‘coverings’-series of Luc Compernol. In part one the term ‘covering’ stood for ‘covering a song’ (more precisely ‘Lovin’ you’ by Minnie Riperton). From the second part on, ‘covering’ was broadened to one of its other meanings, namely observing, watching closely...

THE HUNDRED VIDEOS 34. ICE CREAM

Steve Reinke
Sometimes it takes a while to figure out what it is we really want....

READING FROM A RIBBON

Grace Schwindt
Reading from a ribbon explores desires and possibilities to create equality in social relations. The work is based on a monologue, which takes a form of a letter. The text is presented on various levels: stitched onto a 12-meter long ribbon that is slowly unfolding, written onto a costume and spoken by a performer...

J'ESPÈRE QUE VOUS ALLEZ BIEN

Boris Van der Avoort
Taken from film archives, this playful and nostalgic ‘montage’ wants to picture the lives and hopes of three generations of a Belgian family between 1931 and 1997. Images belonging to the family possessions take us back to childhood and play, journeys, relationships, dancing...

9 PETITS MOMENTS

Ria Pacquée
In the work of Ria Pacquée the relative and the existential always go hand in hand. In ’Neuf Petits Moments’, Pacquée layers brief shots and images, small moments, to construct a visual poem. Exploring space and colour, lines and forms, light and shade, she assembles a catalogue of images both absurd and symbolic...

HINTERLAND

Esther Johnson
Focusing on an East Yorkshire community which live on the fastest eroding coastline in Europe, Hinterland asks how it feels to live in such a precarious situation with homes fatally threatened by the elements. The black-and-white stock was chosen for its grain, which evokes the location's mood...