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THE HUNDRED VIDEOS 59. RE-ENACTMENT OF A PERFORMANCE
Steve ReinkeThis video is a re-enactment of Joseph Beuys’ important performance “How to Explain Pictures to a Dead Hare"....
AND
Peter DownsbroughA video triptych (‘And’, ‘Here’, ‘As...’) fully recorded in the area around Lille and Tourcoing, commissioned for the exhibition ‘La ville qui fait signes’ at Le Fresnoy (Tourcoing, France, autumn 2004)...
IJSBREKER 06: FILM OF GEEN FILM
Eric Blanckaert - Jackie Claeys - Freddy Coppens - Mark De GeestThis time the programme ‘Ijsbreker’ explores the depths beyond the rather quiet surface of Dutch-language film – from Flanders as well as from the Netherlands...
DER GROSSE VERHAU
Alexander KlugeIn 1971, Kluge presented Der Große Verhau (The Big Mess) in Venice, a science-fiction work in which he transferred the contemporary sense of chaos into a future society. In the first century of the third millennium, a galactic civil war is raging between governments, industrial giants and space pirates...
POMMES D'AMOUR
Nicolas ProvostProvost’s film and video installations search for the dark beauty in every-day topics. Even though the work seems gloomy and tragic, humour and sarcasm are never far off....
THE PAINTERS
Nicolas ProvostIn 'Long Live The New Flesh' Nicolas Provost adapted a number of horror films. Now he tackles this other genre film. We see drip painters at work, blobs flying around. Form and content spatter from the screen. A film that appears to be modelled out of digital clay, on the borderline between beauty and taboo....
BREAKDOWN
Karen VanderborghtIn ’Breakdown’ digital editing techniques such as morphing are used to bend, crush and transfigure two different perspectives of a flat building into each other in a background that does the same in the opposite direction...
VIDÉO À LA CHAÎNE II - MEDICO
Michel Bonnemaison - Joëlle de La Casinière - Jacques Lederlin - Enrique AhrimanA female representative tells the story of the founder of ’techni medico’. Images of a bald man and a cat scan of a human brain rotate on the screen, along with the random TV images that Bonnemaison and de la Casinière regularly use in the series ’Video à la chaîne’....









