COLLECTION

Search collection




MUSEUM VOOR KAPOTTE KUNST

Luc Deleu
Being an artist-architect, Deleu has always been sensitive to the recycling of buildings and the use of ‘ready-mades’. In ‘Museum voor kapotte kunst’ (‘Museum for Broken Art’) he records the outside and inside of an abandoned, declined industrial building from various angles. The building is an object, a ready-made that the viewer can modify as he or she likes...
null

EFFEN SPIEGEL VAN EEN STILLE STROOM

Lili Dujourie
The first frame shows an empty interior. On the left there are a brightly lit surface and a mantel support on the floor; to the right stands a female figure clothed in shirt and jeans. The scale and perspective seem skewed, and it is not until she moves out of the visual field that we notice that the right half of the screen is a mirror reflecting the space behind the camera...

LA JOYEUSE ENTRÉE DE STRAATMAN DANS BRUXELLES

Angel Vergara
During the first edition of BrxlBravo in 2005, Angel Vergara’s alter ego gave a performance. Straatman distributed a letter from one of the firetrucks driving through Brussels from north to south, crossing a socially layered urban reality...
null

THE HUNDRED VIDEOS 99. STORY

Steve Reinke
Are you bored or are you hungry ?...

KISMET

Shelbatra Jashari
In Kismet – this word means ‘destiny’ in Turkish – Jashari comments on the notion of ‘woman’ by setting suggestive, pin-up-like images against women dressed in strict Islamic clothing...
null

THIS IS NOT BEIRUT (THERE WAS AND THERE WAS NOT)

Jayce Salloum
Salloum examines the ’Lebanization’ of both the ’Switzerland of the Middle East’ and the world of television itself...
Filmgruß für ARGOS Archive, Alexander Kluge, 2010. Courtesy the Artist Filmgruß für ARGOS Archive, Alexander Kluge, 2010. Courtesy the Artist

AND TO

Peter Downsbrough
We don't know where we are. We're in a car, looking at other cars, roads, structures, tunnels – wasteland. Position? The Global Positioning System informs us, with its horde of satellites, orbiting Earth. Guiding us with its synthesised voice, transporting us, 'translating' us. Telling us what to do...
null

THE HUNDRED VIDEOS 19. INTRODUCTION TO THE LOGO

Steve Reinke
I am a person, a company, and an artist. (Otherwise I’d pay a lot more taxes.) As an artist, texts are produced under the authority of my name. It seemed appropriate to develop a logo....
null

JONAS

Olivier Dekegel
A short portrait of and homage to the legendary filmmaker Jonas Mekas, generally considered as one of the major exponents of the avant-garde movement in the American cinematic landscape of the 1950s and ‘60s...