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FRONTAL TREE
Messieurs DelmotteMessieurs Delmotte balances stiff as a rod, on the tips of his toes, with his forehead leaned into a tree....
DE 10 SCHILDERIJEN VAN ETIENNE ELIAS
Jef CornelisProduced in the context of the Flemish public cultural organisation "Openbaar Kunstbezit", the Belgian painter Etienne Elias presents his ten favorite paintings in Flemish art collections. Each presentation is unique, humorous and creatively critical about cultural institutions, producers, buyers and onlookers....
Viol, 2008, Angel Vergara Santiago © the artist
VIOL
Angel VergaraTwo folded hands are pushing on a womans face which itself is covered by long hair. This scene is as intimate as uncomfortable to watch or witness...
HABITER LES FISSURES
Miléna DesseIn Brussels, a former factory bears witness to an intense and now bygone industrial era. Today, it is home to spontaneous flora that has found its way into the cracks in the bricks and concrete, as well as to the people who live there and create alternatives to what this city has to offer...
COMMENT FILMER MOLENBEEK?
Johan Grimonprez - Franciska LambrechtsThe result of a workshop for which Franciska Lambrechts supplied a varied company of individuals and some basic equipment: a super-8 camera with 3 B/W films. What we see is a creative montage wherein the workshop and the discussed topics itself are at the core....
MORE FROM THE JUDSON YEARS (EARLY 60S) INSTRUMENTAL-VOCAL WORKS VOL. 1
Philip Corner"Yet not to forget that extraordinary place where so much of the new and exciting performances at that most interesting time in New York, took place. There was a Theater there; and a place for the first Happenings. An Art Gallery... and later the famous Judson Dance Theater. There was Philip Corner first performance. The concert was in early 1962, January 2nd, to be exact...
PORTEMANTEAU
Messieurs DelmotteHow to hang one’s jacket without actually taking it off? Messieurs Delmotte exhibits a wide range of possibilities and techniques...
"LIFE ON THE EDGE" RADIO LINE
Beatrijs AlbersIn 1999 and 2000 Beatrijs Albers travels to the arid American desert on the borders of California, Nevada and Arizona. There she looks for the ways in which man draws out space for himself and takes political, architectural and mental ownership. The title refers to the name of an American local religious radiostation...
