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ALLELUYA
Hänzel & GretzelPsychedelic coloured image fragments quickly follow up, altering with an image fragment of a Holy Maria-statue...
POEME-PARTITION X
Bernard Heidsieck"Poème-Partition X" was created by Bernard Heidsieck during 1960 and recorded in October the same year. A few excerpts of the 1st and 4th movements were performed on November 22nd, 1960 at the Quatre Saisons Gallery in Paris, during the Festival of Avant-Garde Art...
A JOURNEY IN THE INFINITY
Angel VergaraVergara is trying to follow and capture the cinematic movement of stars and planets. The act of drawing however, does not result in actual drawings. Though realizing the impossibility of ’fixing’ such reality, his attempt makes the artist aware of his own position: Vergara aspires to relate himself as an artist to realities in motion...
VIDÉO À LA CHAÎNE II
Michel Bonnemaison - Jacques Lederlin - Joëlle de La CasinièreA number of structural modules (design and music) and a rule set are introduced to twenty-odd video artists; with these elements the artists were supposed to produce a video about an application of the video medium (surveillance, simulation, etc.)...
THIS WAS BEFORE...
Herman AsselberghsHerman Asselberghs' new film piece adapts the participatory performance of the same name by Sirah Foighel Brutmann and Eitan Efrat to a cinematic format. Seven participants take part in a conversation made up only of questions...
THE CORRIDOR
Sarah VanagtFor 5 days Sarah Vanagt and cinematographer Annemarie Lean-Vercoe followed a donkey during its weekly visits to old people in nursing homes in South-England. From home to home, from room to room. Each time the donkey was welcomed warmly, with greetings, songs, strokes, childhood stories, poems, and laughter...
THE HUNDRED VIDEOS 07. SPECULATIVE ANTHROPOLOGY
Steve ReinkeIt wasn’t very long ago that the imagination could make its way into the world as an autonomous agent of seemingly repressed desires. I want to return to that time....
TENNIS
Valérie MannaertsSomeone is running, camera at hand, crisscross across the San Marco square in Venice; meanwhile the other hand is bouncing a tennis ball against the ground. The image, filmed in Super 8 format, juggles with the way we see things. The hand, the ball, passing pigeons, the shadows and the lines at the site, blend together in a crossfire of movements...
DOCUMENTARY CREDIT
Eva Meyer - Eran SchaerfIn economic jargon, “documentary credit” refers to a mode of payment that involves a bank between buyer and seller in order to ensure the buyer’s reliability. In the context of politics, “documentary credit” describes a kind collateral security that is not only based on the on the mutual loss of trust in each other but on the same time also recreates such mistrust...









