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ENDOGENE DEPRESSION
Wolf VostellVostell metamorphoses the information and transforms events that were broadcast on television in a linear manner using coded messages imparted by various means of communication....
LA FESSE NOIRE
Lucile DesamoryIn a convent, the punishment by a sadistic nun of a few mischievous school girls takes an unexpected turn... ...
THE THINGS (EUROPE)
Florian GwinnerA tracking shot shows the slow transformation of a room model into a black plain surface, ending up in a roundabout taxi drive meditation. The repetition of variations of the same....
MARSHALL MCLUHAN
Jef CornelisIn this short documentary film, Georges Adé (1936-1992), is sitting in the Antwerp municipal library, presents the book Culture is our business (1970) by the Canadian philosopher and communication theorist Marshall McLuhan (1911-1980). Adé shows reproductions of advertisements from the book and reads extracts from it...
MARIAGE D'ART ET ENTREPRISE
Angel Vergara - Benoît EugeneA recording of the performace written and directed by Benoît Eugene and Angel Vergara in collaboration with the collective plus tôt te laat (camera & editing) during the Lille 2004 festival. Art and Entrepreneurship are getting married by Europe (Imbal Yalon). Attending the ceremony are Industry and Insurance Institute, father and mother respectively of Entrepreneurship...
INSERT COIN FOR LOVE
Hans Op de BeeckThe coin drops into the slot machine and a scene reminiscent of a peepshow appears. A woman rotates on a red velvet podium. She looks bored and refuses to perform. The work also exists as a single channel video projection. (Source: www.hansopdebeeck.com)...
INTER[POSE
Peter Downsbroughinter[POSE is a video project shot off-season in Deal, Kent (UK). It focuses on the town’s shoreline and the 1950s modernist pier (the last to be built in the UK)...
A FILM
Marie José BurkiIn her video works, the Swiss artist and photographer Marie José Burki explores how the visible can be classified, formatted and categorized. Burki sets out from observation and plays with audiovisual codes. The arbitrarily entitled A film wants and doesn’t want to be ‘a film’. Conceived deliberately for a projection room — i.e...









