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FABRICA/BRIGHTON DAY 2
Claude CattelainDoing a video each day. Day 2: filming the sea waves on the rocky beach....
untitled part 5: all is not lost but some things may have been misplaced along the way (or) of endings and beginnings and some points in-between, Jayce Salloum, 2005 © the artist & producer
UNTITLED PART 5: ALL IS NOT LOST BUT SOME THINGS MAY HAVE BEEN MISPLACED ALONG THE WAY (OR) OF ENDINGS AND BEGINNINGS AND SOME POINTS IN-BETWEEN
Jayce Salloumuntitled part 5 is the result of a series of trips to Kelowna (an Okanagan language term for "grizzly bear"), a city on Okanagan Lake in the Canadian province of British Columbia. During the summer of 2007, Salloum worked in collaboration with the Westbank First Nation and other First Nation residents of the area...
LOOP 5'
Jo HuybrechtsImage and music creator Walter Verdin requested a couple of colleagues, among them Jo Huybrechts, to make a short video for the creation of his work ’Title Safe’. The artists worked independently, sticking to some rhythmical and technical rules of editing. The videos were shown in a sequence, as if they were stanzas in a long musical composition...
DALÍ
Bigas LunaIn his feature films, Bigas Luna often referred to Salvador Dalí, a close personal friend of the late filmmaker and visual artist...
HYALOÏDE
Danièle Nyst - Jacques Louis NystTheresa and Codca question themselves, faced with a televised image of a film from the Fifties. The image has this strange power to provoke associations that escape their reason. It plunges them into a period from their childhood where a little pink spade and a nursery rhyme/tale seem closely associated to this extract of the film that makes them dream...
LE JEU DE LA GRENOUILLE
Jacques LennepIn Le jeu de la grenouille the artist argues that he is not Claude Monet. He goes to visit Monet’s garden and find out that frogs dominate the garden. The artist can’t bear the sound they make and dressed up as a frog he decides to burn one of Monet’s “works”....
RAW MATERIALS
Justin BennettBased on personal memories reaching way back into time, Raw Materials creates a resonant patchwork with fragments of field recordings originating from divergent cities like Fribourg (Switzerland), Barcelona or Beirut. With a pitch-black image as canvas – a technique that actively shifts the attention towards the sound – snow-white text lines appear one by one in typewriter style...
OCCUPIED
Peter DownsbroughThe film is shot entirely within the site of the Cité Administrative in Brussels. In an interview during the early stages of this project, Peter Downsbrough said : " I use film to introduce time within my observation. Its very unfolding makes film the ideal means to do this"...








