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A SWARM OF TWO
Aernout MikThe terror threat has resulted in evermore demands for control, and still less room for the unexpected...
FRONTAL TREE
Messieurs DelmotteMessieurs Delmotte balances stiff as a rod, on the tips of his toes, with his forehead leaned into a tree....
THE VIDEO MESSAGE
Roy VillevoyeIn The Video Message Omama talks about what happened to him after he collaborated on the development of the life-size, realistic statue that Roy Villevoye made of him: Madonna. The core of the story is that by participating in the project he sold his soul. Not in the figurative sense as we mean it, but literally. By selling this reproduction of his likeness he lost himself...
PROPS FOR DRAMA: PLOT HOLE
Sarah & Charles'A plot hole is a gap or inconsistency in the storyline that contradicts or breaks the originally set narrative logic'. In an abstract visual set-up of doors, walls and windows, we watch an actor change into two different characters while a voiceover coordinates his movements. The front- and backstage of the archetypal stage setting have been put up alongside each other...
TRAVELOGUE 2: THE METAMORPHOSES OF TINTIN
Stefaan DecostereThis episode guides us through the African Museum in Brussels and explores the different ways of the fabrication of exoticism: how to make Africa exotic, and Brussels, and Nature, and Morale, and why not Anything, such as this Travelogue: an exotic critique...
21 ÉTUDES À DANSER
Thierry De MeyThe question here is how to merge dancing footage with elements of fiction. What is the right tone, the golden proportion to tell and dance the stories without resorting to techniques of a musical or a ballet? New ways of telling a story: this is, without a doubt, a critical challenge for dance today...
APHASIA 3RD CHAPTER
Jelena JurešaThe starting point of Jelena Jureša’s interest in the evolution of a narrative constituting the final episode of Aphasia is a single photograph, which is never shown in the work, but its presence is almost tangible, heavy, almost to the point of materialising before our eyes. We identify it in speech, we identify it in motion. It is heard, but not directly seen...
ISLAND FLYER: A POSTCARD FROM THE ISLE OF WIGHT
Rebecca Jane ArthurIn Island Flyer: A Postcard from the Isle of Wight, Rebecca Jane Arthur takes us on a journey to an island in the English Channel in pursuit of summertimes gone by....
STILL
Michel LorandSTILL is filmed in the curve of a motorway tunnel. The film, shot entirely in black and white, begins with the ringing sound of a gong, which takes several minutes to fade out. Together with the dying echoes of the instrumental sound, the images slow down as well, until the frame seems to freeze at the end of the film....
