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KINSHASA, CITY ON THE GO
Thierry De MeyIn Kinshasa, there is movement everywhere. The camera, guided by one of those familiar with the city’s flow, reveals the vibrations of the Kinshasa megalopolis. The spectator can follow the footsteps of one of these "guides"...
BRAHMA BRAZIL
Luc GobynA serial of one minute interview in the Circuit Interlagos during the Grand Prix of Brazil Formule One. Between the interview are poetic views of the popular situation in Sao Paulo....
WATCHING WORDS BECOMING A FILM (TXT.FLM #3)
Herman Asselberghswatching words becoming a film sort of a film this is a film and these are the words watching film a film becoming words sort of word's out word up word ...
LETTRE D'UN CINÉASTE À SA FILLE
Eric Pauwels‘Lettre d’un cinéaste à sa fille’ is a playful, free and personal film in the form of a letter, a film interwoven with a thousand stories knit together with different textures, a book of images where a filmmaker shows the images and the stories he wants to share....
VASE DE NOCES
Thierry ZénoA solitary man living in an abandoned farmhouse. His territory are the four elements: earth, water, air and fire. He tenderly loves a sow. Three little piglets are born out of their union. He unsuccessfully attempts to wean them, but they continue to run back to their mother. Knitted goods, feeding bottles, family meals? Death is wandering about. The man hangs the piglets, the sow commits suicide...
YOURS,
Eva Giolo - Rebecca Jane Arthur - Katja Mater - Sirah Foighel Brutmann - Eitan Efrat - Maaike NeuvilleA group of artists are invited to be inspired by the work of the well-known, Belgian filmmaker Chantal Akerman, specifically her film News from Home (1976). The busy city of New York serves as the film’s main character. Meanwhile, we hear Akerman’s voice reading letters from her mother in Brussels...
DOCUMENTARY CREDIT
Eva Meyer - Eran SchaerfIn economic jargon, “documentary credit” refers to a mode of payment that involves a bank between buyer and seller in order to ensure the buyer’s reliability. In the context of politics, “documentary credit” describes a kind collateral security that is not only based on the on the mutual loss of trust in each other but on the same time also recreates such mistrust...
