BANDEKO BASI

The documentary Bandeko Basi by filmmakers Paul Shemisi and Bie Michels examines the position of women in Kinshasa, focusing on how they navigate both traditional and contemporary roles, particularly in relation to female sexual identity. Central to the film is Hana Kele (known as HanaKel on social media), an activist who champions female sexual identity. She emerges as a pivotal figure, breaking taboos and discussing sexual identity openly, offering pointed insights into the societal role of women in Kinshasa.

Rather than serving as a sociological study, Bandeko Basi reflects on the diverse perspectives and experiences of female sexual identity within the city of Kinshasa. It captures a broad array of daily encounters and opinions, extending the discussion to include individuals of all gender identities who can contribute meaningfully to the conversation, including queer voices—often at the forefront of gender discourse.

Through these ordinary moments, the film seeks to foster a broader dialogue about gender and the status of women in Kinshasa, as well as in wider contexts. Without aiming for theoretical complexity, it highlights the contributions of its participants, alongside the personal reflections of Hana Kele, which offer profound insight into how post-colonial and cultural influences shape both traditional and contemporary views on female sexual identity.

An ongoing dialogue between the filmmakers underscores how their distinct social and post- colonial backgrounds shape the creation of this documentary, further enriching the narrative.

The filmmakers opted for a spontaneous, fluid camera style to capture the authenticity of the conversations as naturally as possible. This approach results in a rhythm that feels organic and unforced. Bandeko Basi emerged through dialogues with various participants, allowing the film to develop in a genuine and collaborative manner.