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L'AVENTURE EXTRAVAGANTE D'UN POULET
Jacques LennepLennep goes to a huge chicken farm to fetch a chicken. He paints the chicken with red and black paint, then puts it in a pot. In the end he releases the animal in the woods. ...
AND
Peter DownsbroughA video triptych (‘And’, ‘Here’, ‘As...’) fully recorded in the area around Lille and Tourcoing, commissioned for the exhibition ‘La ville qui fait signes’ at Le Fresnoy (Tourcoing, France, autumn 2004)...
HISTOIRE DE MES CHEVEUX
Boris LehmanIn his own fashion Lehman has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life. Lehman: "The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago...
GEESTELIJKE GEZONDHEIDSZORG (2): PRATEN MET PATIËNTEN
Jef CornelisOriginal broadcast date: 04/03/1975...
NOTHING !
Messieurs DelmotteA video-installation that was produced at the occasion of Brugge 2002 cultural capital of Europe. We see a suite of short sequences shot in the touristic centre of Bruges...
LA CLÉ DU PAYSAGE
Jacques Louis NystIn both 'La clé du paysage’ and 'Un dimanche après-midi à 6h du soir’ the spectator is in the position of the voyeur, spying Danièle Nyst through a window. In 'La clé du paysage’, Danièle Nyst is sitting on the garden, glancing through a magazine. Her image is cut up by the window frame...
The Greenhouse Effect, Peter Finnemore, 2005. Courtesy the Artist
THE GREENHOUSE EFFECT
Peter FinnemoreThe greenhouse effect is a process by which thermal radiation is absorbed by atmospheric greenhouse gases, and is re-radiated in all directions: this results in an elevation of the average surface temperature. Closed inside a greenhouse, Finnemore's troops dance on the rhythm of a lounge score and re-radiate an uncontrollable delight....
PASS-ING]
Peter DownsbroughIn a long travelling the camera tracks the fences around a factory building. At the end the camera slowly swerves out to a frontal image of the fencing. Downsbrough draws our attention to an inconspicuous, everyday image, which all too often escapes our attention, reconstructing it within his own visual language...
DAMES EN HEREN JAN FABRE
Jef CornelisAn analytic and subdued critical summary of the work of Jan Fabre, on the occasion of the opening night of the opera Das Glas im Kopf wird vom Glas in March 1990. The topoi and motives in his work are commented on by Annie Declerck and accompanied by images from his body of work, from MoneyPerformance (1979) to Das Interview das Stirbt (1989)...
