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BABULIA [SECOND CHAPTER OF INSTALLATION, ENGLISH VERSION]

Nora Martirosyan
"Two chapters, two time periods, one story. On the one hand, 1937, at the height of the Stalinist purges in Erevan, in the soviet Armenia, the year of the arrest of Nora Dabagian’s father who was a political dissident. On the other hand, 2006, the circumstantial story of this arrest related by the old woman, affectionally known as Baboulia, who was a very young girl in the 1930ies...

THE PORTERS

Sarah Vanagt
Flemish filmmaker Sarah Vanagt asks young people around Brussels to play a well-known European memory game, in which players must repeat and then add to an ever-growing list of items that they would take with them on a trip...

FABRICA/BRIGHTON DAY 4

Claude Cattelain
Doing a video each day. Day 4: sweeping away the sea from the pier....

THE THINGS (EUROPE)

Florian Gwinner
A tracking shot shows the slow transformation of a room model into a black plain surface, ending up in a roundabout taxi drive meditation. The repetition of variations of the same....
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BUNCH OF FLOWERS

Messieurs Delmotte
Messieurs Delmotte, as always dressed in a dandy-like costume, holds a bouquet of yellow roses. What does he have in mind for them? A few seconds later it becomes clear. Violently he starts spinning them around with the help of a drill. Delmotte keeps on spinning and spinning, until the roses are completely demolished. This work is part of the series Brokendown Dream...

UNTITLED (SHADOW)

Wim Catrysse
In Untitled (Shadow) (1998, single-channel-installation) the camera moves constantly in a circular corridor, like in Pursuit, an installation Catrysse made in the same year. The camera departs from standstill and starts to move faster and faster. Behind the endless bend the viewer notices an unidentifiable shadow that seems to be pursued by the camera...

DIE LORELEY

Anne-Mie Van Kerckhoven
In this computer-animation, Van Kerckhoven links together portrait paintings she made between 1987 and 1990 of 54 people that visited her unexpectedly. These people are acquaintances, friends and relatives. She linked each person chronologically to some words of the poem ‘Die Loreley’ of Heinrich Heine (1797- 1856)...
Le Centre et La Classe, 1970, Boris Lehman © the artist Le Centre et La Classe, 1970, Boris Lehman © the artist

LE CENTRE ET LA CLASSE

Boris Lehman
The PMS (Psychological, Medical and Social) Centres measure and facilitate the development of schoolchildren in Belgium. This film, commissioned by the Ministry for National Education, demonstrates the methods adopted with children in the sixième (around 10-11 years), through their medical, academic and other assessments and the processes for identifying and addressing any problems...
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C'EST COMME ÊTRE

Marie-France Martin - Patricia Martin
In the work of twins Patricia and Marie-France Martin the idea of duality is a constant factor, inevitable and indivisible. ’C’est comme être’ is a multi-layered exploration of the space between ‘them’ and ‘the other’, the confusion between ‘the true’ and ‘the copy’, between reality and fiction...