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NOT TORN (ASUNDER FROM THE VERY START)
Steve ReinkeFor Reinke video does not place itself in the lineage history / documentary, but in that of dream / art. The video heads off with ghostly, almost surreal archival footage of a dance recital from the Marial Mosher studio, at the Capitol Theatre in Halifax, 1939, to subsequently explore the antagonistic relation between conscience and unconsciousness...
ENDOGENE DEPRESSION
Wolf VostellVostell metamorphoses the information and transforms events that were broadcast on television in a linear manner using coded messages imparted by various means of communication....
ACHTEROVER/BACKWARDS
Anne-Mie Van KerckhovenA woman leaning backwards changes colour slowly, which gives the image an aspect of certain periods of time in art history. Abstract forms come and go like thoughts. The motionless figure relates to the abstract, like colours relate to the giving of a meaning of the image...
THE NEW DRESS
Jan Dietvorst - Roy VillevoyeA portrait of Sister Majella Hoppenbrouwers who worked from 1956 to 1961 with the Asmat Papuans in the former Dutch New Guinea....
OOPS WRONG PLANET
Anouk De ClercqOops wrong planet shows an attractive, rolling landscape from a different planet. An attempt is made to establish contact. Long-distance communication is possible, albeit with some interference on the line. Clear contact appears impossible, though. The static appears like a veil that clouds the picture. The soundtrack of Scanner reinforces the static between distance and vicinity even further...
O.M.A. REM KOOLHAAS
Jef CornelisAn interview with architect Rem Koolhaas in the building of his architectural firm OMA (’Office for metropolitan architecture’) in Rotterdam...
4 X 4 - EPISODES OF SINGAPORE ART : EPISODE 4: LIM TZAY CHUEN – THE INVISIBLE ARTWORK
Tzu Nyen HoIn this episode, Lim Tzay Chuen’s 'Alter #11' (2002) is reflected on. 'Alter #11' involves a bullet, intended to be fired into a gallery. As in other works by Lim, a very small physical alteration is intended to be brought about through a disproportionately large amount of work, often involving endless negotiations, so that the end will never be achieved...
Zapatero, 2010, Angel Vergara Santiago © the artist
EL PERDEDOR SOCIAL E INÚTIL CULTURAL
Angel Vergara’El perdedor social e inútil cultural’ is a video installation shown in 2010 in ARCO Madrid at Stella Lohaus. For this installation, Vergara collected historical images related to figures in Spain’s recent history (i.e. since the fall of Franco) combined with images he associated with that history...
