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YELLOW FLOWERS
Messieurs DelmotteOn a sunny day, Messieurs Delmotte lies down in a field of dandelions. When he gets up again, his body is imprinted in the flower field. This work is part of the series The Mental Reason Vol. 1...
THE SICKNESS
Messieurs DelmotteIn this early piece, Messieurs Delmotte is painting a series of words on the back of a performer: rabies (rage), lepra (lèpre), pest (peste), tuberculose, cholera, cancer, aids (sida)....
CAPITAL BRASILIA
Robert SuermondtFilming a city always has a documentary value. But that is not what prevails in Suermondt’s work. What is striking about Brasilia is its ability to portray urban spaces as fictional ones. Streets and stations become sets on which accidental passers-by serve as actors performing a scene in a fiction film...
Comment liberer les artistes libres?, 2003, Angel Vergara Santiago © the artist
COMMENT LIBÉRER LES ARTISTES LIBRES?
Angel VergaraIn June 2003, Angel Vergara dressed up as a soldier to give a lecture as part of a multidisciplinary installation set up in the Kunsthalle in Freiburg (CH) about the relationship between art, war and commerce, and about the strategy of a community – that of the oeuvres d’art – looking for new extraterrestrial worlds. Soldiers were also present in the audience....
OUR CITY
Maria TarantinoThis is Brussels, the capital of Europe, a city of concrete cages wrapped in glass, planned by businessmen and politicians, set in motion by construction workers, and animated by office people. But there, in the narrow spaces just beyond the reach of bureaucracy, lies the Brussels that still breathes...
POUR VIVRE, J'AI LAISSÉ
Bénédicte Liénard - Valérie Vanhoutvinck - Güldem DurmazApplicant refugees at the Klein Kasteeltje/ Petit Château in Brussels receive a camera of their own to tell the story of their escape and their quest, about what they left behind and what they hope to find, in their own ‘cinema brut’ style...
BANDEKO BASI
Bie Michels - Paul Shemisi BetutuaThe documentary Bandeko Basi by filmmakers Paul Shemisi and Bie Michels examines the position of women in Kinshasa, focusing on how they navigate both traditional and contemporary roles, particularly in relation to female sexual identity. Central to the film is Hana Kele (known as HanaKel on social media), an activist who champions female sexual identity...
Majjudo (Lost Man), Laurent Van Lancker, 2009 © the artist & producers
MAJJUDO (LOST MAN)
Laurent Van LanckerSomeone who leaves the dying fire without his torchlight is a lost man. According to the filmmakers, ’Majjudo’ is ’’sensorially drifting in a French-Senegalese experience of Shadow Cinema’’. While light is mainly provided by torchlights, creating a cinema-driven shadowplay, people are dancing and playing music during the night...
