COLLECTION
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TILAPIA
Crispin YanisiA boy who tries to get in touch with his culture through a specific fish and learn more about its history but is faced with the fact that he does not master his mother tongue. ...
THE LONELY
Hubert MarécaillePending a response to his ad placed in a newspaper in the hope of meeting a woman, a computer worker goes about his everyday activities : reading computer magazines, eating, watching TV, visiting his aunt in search of affection, spending time at the cemetery with his deceased parents, meditatively ironing his colthes, celebrating his birthday thinking of an unhappy colleague, jealous of his newly ...
MUSÉE DE L'HOMME
Jacques LennepVideo, apart from photography and holography, was but one of the media Lennep made use of during the 1970s, as he was adding on to his ‘museum of men’. His human models were derived from all layers of the populations, but they shared a common obsession for collecting things or, at the very, least an unusual passion...
MOUNE Ô
Maxime Jean-Baptiste"I close my eyes. The crowd makes me smile, breaks my body, and that's the end". By presenting the festive events which escorted the projection of the film Jean Galmot aventurier by Alain Maline, where the father's filmmaker played a role, the images of Moune Ô reveal the survival of the colonial inheritance within a Western collective unconscious always marked of stereotypes...
OCCUPIED
Peter DownsbroughThe film is shot entirely within the site of the Cité Administrative in Brussels. In an interview during the early stages of this project, Peter Downsbrough said : " I use film to introduce time within my observation. Its very unfolding makes film the ideal means to do this"...
Arterim, 2003, Angel Vergara Santiago © the artist
ARTERIM
Angel VergaraArterim depicts a meeting in Brussels-South Railway Station, between Vergara dressed up as Jan Hoet, and ’Eugène, director of Arterim’. Vergara performs as Jan Hoet, just arrived from Paris, a caricature on the enthusiasm that characterizes his speech. The belief in art translates itself here into the belief that art can play an innovative part in an economic context...
CHARLES VANDENHOVE, LA MAISON SCHOFFENIELS
Jef CornelisA general and a more detailed view on the Schoffeniels Residence are presented: a plan of the house, pictures of the entrance, ground floor, stairs, kitchen... Original broadcast date: 25/03/1970 Content: 00’00" Leader. 00’15" General view of Professor Schoffeniels’s house in the hills in the region of Herve (architect : Charles Van Denhove). 00’36" Plan of the house...
10DE BIËNNALE VAN MIDDELHEIM ANTWERPEN [1969]
Jef CornelisA short and playful portrayal of life and customs, disguised as a filmed exhibition, during the 10th Biennial for sculpture in Middelheim. The gardens and sculptures of the open air museum make out the scenery for a bucolical and frivolous atmospheric and periodical portrayal, with Flemish poet and filmmaker Patrick Conrad in a leading role: “trees like statues, statues like bombs”...
BUENOS AIRES
Jef CornelisBuenos Aires, Baires or B.A., where the corridors of the National Bank were once piled high with heaps of gold, is trying to awaken from a number of simultaneous nightmares (the colonels’ regime, inflation, terror). The visual artist César Paternosto (La Plata, 1931) left Baires in 1964, because he felt he was banging his head, like a balloon, on the ceiling...
