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YELLOW FLOWERS
Messieurs DelmotteOn a sunny day, Messieurs Delmotte lies down in a field of dandelions. When he gets up again, his body is imprinted in the flower field. This work is part of the series The Mental Reason Vol. 1...
LE COUP DU LAPIN
Jacques LennepLennep goes to market in Charleroi and buys a live rabbit. He then kills the animal with a hammer, skins it and cooks it for dinner....
PLACEHOLDER
Alex SchuurbiersPlaceholder is an attempt at holding it together in the face of absence; of a mother, of a memory, of something tangible. Images oscillate between dreams and recollection, distorted and transformed over time....
ANESTHÉSIE
Hänzel & GretzelWith Doctor Terror, the anaesthesia always goes wrong. A trashy music video for the French electro-dada group Geins ’t Naït with whom Hänzel & Gretzel collaborated frequently....
VIDÉO RELATIONNELLE (1973 - 1974): L'ESCARGOT
Jacques LennepAn image of a male performer holding a living and moving snail in front of his crotch....
La Cucina della casa per l'arte e la rivoluzione contemporanea, 1998, Angel Vergara Santiago © the artist
LA CUCINA DELLA CASA PER L'ARTE E LA RIVOLUZIONE CONTEMPORANEA
Angel VergaraVergara developed an installation called ’La Cucina della Case per l’arte e la revoluzione contemporanea’ for the Centro civico per l’arte contemporanea in Serre di Rapolano (IT) in 1998...
THE WAY OF THE CROSS
Robert CashThe Way of the Cross is a contemporary video variation on the Way of the Cross, as it is depicted in 14 stations on paintings in Christian churches. Cash’s Way of the Cross is taken by train, each platform where the train stops representing a scene from the Way of the Cross in a sober way – without making use of requisites or historical costumes...
PORTEMANTEAU
Messieurs DelmotteHow to hang one’s jacket without actually taking it off? Messieurs Delmotte exhibits a wide range of possibilities and techniques...
CAILLOUX
Claude CattelainIn his work Claude Cattelain tries to catch the essence of the volatile. His video miniatures are flashes of amazement and fragility, staged at times, or noticed in passing. Impulsive, not without a sense of humour, Cattelain records an actual spatial escapism or emotional turning points...








