Provost shot this final part of the 'Plot Point Trilogy' in Tokyo. He here presents the man in the street as a film protagonist whose reality lies somewhere between a dream and a nightmare. In these three aesthetic reinterpretations, Provost, using seemingly insignificant raw material, not only moulds mystical spaces that compellingly absorb the viewer, but also masterfully shows that the dream-world called ‘cinema’ is simply a constructed parallel reality comprising clichés, technical rules and dramaturgical conventions.