ARRANGEMENT IN GREY

The title Arrangement in Grey is an allusion to the painter James Abbott Whistler, who used it to emphasize the ascendance of abstract over figurative composition. Starting with a specific point in time and space, a room facing Ground Zero ten years after the attack on the World Trade Center, the film opens grooves along which transit its true subject; the search for its missing figuration, on the verge of collapse, its abstraction.