STANDING STILL

“In your film Standing Still, the myth of the white colonist finds its most destructive embodiment: the hunting guide. Hesitating in between a spontaneous violence and its religious imitations, he utters the most economical remarks about death images that assess the game of violence and culture. A (sacralized) game that is lost to a sacrificing vestige to unite women’s and men’s hearts in an arbitrary and violent resolution.” (Source: Cecilia Becanovic, press release Les Chasseurs)