VITO ACCONCI - THE RED TAPES

BLACK BOX - SCREENING

A poet of the New York school in the early and mid- 1960s, Vito Acconci (1940) moved toward performance, sound, and video work by the end of the decade. Acconci changed direction in order to “define [his] body in space, find a ground for [him]self, an alternate ground for the page ground [he] had as a poet.” The Red Tapes is Acconci’s masterwork, a three-part epic that is one of his major works in video. Originally designed for video projection, the work is structured to merge video space - the close up - with filmic space - the landscape. Acconci maps a topography of the self within a cultural and social context, locating personal identity through history, cultural artifacts ,language and representation. Stating that the work moves “from Vito Acconci to a larger Americanism, between a psychological personal space and a cultural personal space,” he constructs a dense, poetic text in this search for self and America.

1976, 141’27”, video, b&w, sound, English spoken



Vito Acconci, The Red Tapes, 1976  
  • Tue 12.12.2006 - Sat 23.12.2006
  • Practical info

    Location:
    argos

    Entrance fee:
    included in the general argos exhibition entrance fee

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